Guest Post - When we think of the examples set by Hollywood stars, things are fairly different for men and for women. Both men and women look up to general standards of beauty, of course, to the extent that many have suggested it’s a problem. Hollywood stars are often extraordinarily attractive, and it probably isn’t healthy for us to hold them up as realistic standards. Nevertheless, it’s going to happen. And it’s interesting to consider how it happens differently for men and women.
For women, beyond traditional beauty standards, there is a lot of consideration for fashion. Costuming for famous actresses gets a lot of attention, and throughout award season red carpet looks are devoured and analyzed by everything from small blogs to high-end lifestyle magazines. Women look to actresses for fashion inspiration, perhaps as much as for general beauty. For men, however, it often stops with physique. This is not to say that men don’t notice well-dressed actors; typically, however, it’s a given actor’s physical prowess that gets the most attention in a movie.
This begs the question: are there modern fashion icons for men in film? Or are actors simply inspiration for us to hit the floor and do some crunches until we look like members of the Spartan 300? Personally, I’m not sure that there are many actors or characters men traditionally look to for style – but there probably should be. Consider these men and characters, for instance.
If there is a current movie star who’s considered to be fashion example for men the way that, say, Frank Sinatra was several decades ago, or even George Clooney was a decade ago, it’s probably Ryan Gosling. Yes, Gosling has also made waves with his physique and general good looks, but for about 10 years now he’s made a point of taking roles that see him dressing stylishly. Much of the film Crazy, Stupid, Love even concerns his teaching Steve Carell how to dress and present himself. It’s reached the point at which Esquire even did a write-up of Gosling’s best-dressed roles. Suffice it to say Gosling is typically a fashion-forward example.
It would be easy to think of Cavill as little more than a muscle man. This is the case for any man who takes on the role of Superman, and particularly these days the image of a muscled hero in tights appears in more than just film. A likeness of Cavill (more or less) can be found in the “Injustice” video games, and a Man Of Steel-themed slot online stars Henry Cavill as well. In a way, his muscled physique is the character. But give the modern Superman films another watch and you’ll see that Cavill also puts on a clinic in how to dress – both as a casual, humble young man before her learns of his powers, and as the sharply dressed Clark Kent when he’s in disguise.
This is the rare instance in which it’s quite clear that a male actor is a fashion icon. Daniel Craig has fully embodied the persona of James Bond for several years now, and as is characteristic for actors playing 007, he’s looked extraordinarily sharp doing it. Craig rivals Gosling as the actor who most clearly advocates for stylish tailored suits – which look great on any man, famous, fit, or otherwise.
Hiddleston is still best known (in all likelihood) as Loki in the Marvel Cinematic Universe. Thus, many of us hear his name and picture him in a sort of green cape holding a scepter, or something of the like. But in other films, Hiddleston has exemplified various states of male stylishness. In Midnight In Paris he gave a somewhat low-key performance as F. Scott Fitzgerald in which he looked like a terrific example of a Gatsby era dapper gentleman; in High-Rise and The Night Manager he appears like a modern GQ model. Indeed, this may be why Hiddleston is the only actor on this list that GQ saw fit to include in the top five of the 50 best-dressed men in the world. (He also comes up frequently as a candidate to succeed Craig as Bond.)
Bradley Cooper’s style is more difficult to describe, and a single character example doesn’t really do him justice. But when you think about his career, he’s made a lot of different styles look good, which makes him a sort of model for all guys. In The Hangover he shows how fairly casual attire can look great with confidence. In Limitless he dresses sharp (at least for part of the film). In Wedding Crashers he goes fully preppy, and in Silver Linings Playbook he looks good in everything from jeans and a football jersey to a dancing uniform. Cooper’s not a study in clothing, but rather, in confidence.