Has the fear truly gone when there is nothing to miss out on? The anxiety inducing reason to exist for FOMO, or the fear of missing out, disappeared thanks to COVID 19. Poof!
In lockdown, nobody was doing anything, going anyway or seeing anything that you need worry yourself about missing out on. What a relief! *exhales* It was a great leveller.
Fashion has been one of the main pushers of FOMO. Hinged on social media, the fulcrum was this idea that everybody was having a better time than you and you needed all this stuff to go with it. The positive side of it suited marketers.
FOMO was the reason you often left the house, the reason you justified needing something that you really didn’t and then pushing the continued momentum on of FOMOing others through your social media channels. LOOK AT ME...
COVID 19 has been one giant reset button, and while people will document their lives, which inevitably will induce some type of FOMO, it won’t have the intensity or the choreography as before. The obsessions with far flung places and life filters was waning anyway. Influencers all looked the same and seemed to do the same things. “I shop therefore I am” became very different when all you were allowed to buy was food and medicine.
I don’t buy into this idea that the world will be radically different. The world is elastic and will spring back into some shape that was recognisable from before. What has changed drastically is the economy. This will be the catalyst. A great recession that will take years to get over and, when out the other side, things will look different. It will be crass to be too show-offish, too material, too extravagant, too pricey - will we see designer logos minimised? - in lean times. It will bookend the 21st century’s teen decade and be a full stop to the look-what-I’ve-got culture which dominated much of the past decade.
It’s the art equivalent of installing escalators into museums and turning them into shopping centres. It was such a visual decade with nothing to be repeated. Disposable. The luxury brands will morph, like they always do, and ones who can repackage this new environment will profit, again, like always. This isn’t wishful thinking, like less pollution and people thinking greener about what they buy, it is a reaction to an action, which, when many people will be unemployed or struggling to make ends meet, FOMO is the last thing they'll need in their lives. This digital window will look dated and tease-like to many. It will be a turnoff.
FOMO is often seen as a fun positive, like seeing what your friends are doing etc., humans are naturally nosy, and used in advertising as a trendy term, but it’s a fine line and this anxiety, "a desire to stay continually connected with what others are doing”, - defined by Wikipedia - can spiral into pressure and a feeling of inadequacy. It was fast and people’s lives have slowed. Money was often the cause of things speeding up. People have appreciated more time and witnessed the little things in nature during these past few months like they’ve never had time to do in recent memory.
Life was a reason to generate ‘content’ before and this content overload just kept getting more demanding. Images can go back to being memories and records rather than a competitive hustle. We had JOMO, joy of missing out, before, as a reaction to FOMO, but I think we’ll be happy sitting somewhere between the two.
What is happening in the fashion world...
Vogue Scandinavian edition prepares for a spring 2021 launch
Label to know Reyn Spooner
Burberry Pre-Spring 2021 by Riccardo Tisci lookbook is modelled by Burberry colleagues
Paris fashion week confirmed from September 28 through October 8, for Spring 2021
New York fashion week Spring 2021 shortened to three days.
Kanye West has signed ten year deal with GAP
Fashion carries on. @LouisVuitton men's show is slatted for Shanghai on August 6th.
We all like the wind in hair, but how about between our toes? Keen is famous for its woven cord sandals which are perfect for summer sports or taking an energetic dip in the sea. Their new 'Uneek' range pushes the classic style into the chunky trainer hybrid territory.
Left & Below - Keen - Men’s Uneek SNK - £99.99
The Uneek's upper is constructed entirely from recycled PET plastic bottles. By using this material in its new line of sandal webbings as well as Uneek sneaker uppers and laces, Keen will keep over 1 million bottles out of waste.
The insoles are infused with probiotic technology that naturally breaks down odour in sweat without heavy metals or hazardous chemicals.
They come up small, so go for a size up.
Disclosure - TheChicGeek was sent a pair for review
A name dropper who was dropped, André Leon Talley’s latest memoir, The Chiffon Trenches, charts his life and career through the glittering war zone of fashion’s front row and his time at American Vogue. From his childhood in the southern states of America, raised by his grandmother, to New York, bouncing between there and Paris, depending on his roles at various magazines, it’s a who’s who (or who he knows) of fashion and society in one of the most exciting periods of 20th century fashion. Think the great 1970s period of Yves Saint Laurent.
Left - André Leon Talley - The Chiffon Trenches published by HarperCollins - £20
While I’ve never read Talley’s journalistic work, being pictured on the arm or by the side of American Vogue editor Anna Winter saw him enter fashion folklore. With his voluminous kaftans and capes he became a memorable fashion caricature alongside Wintour’s bob and dark sunglasses.
As a journalist, this is lite and while he thinks he’s describing things, throwing in a few French terms just feels a bit dated and doesn’t impress. Well, not this side of the pond anyway. It’s fluff.
The beef between YSL and Karl Lagerfeld is legendary and it’s interesting to hear about his dealings with John Galliano and Alexander McQueen, but apart from that there’s no great insight other than continually reminding you how he knows his fashion history and what a great dresser Lee Radziwill (Jackie O’s sister) was.
Clearly used to the golden years of magazines, when you could expense everything, had a car at your disposal and got put up in the Ritz, he glosses over his failings, like losing his job at Ebony, they couldn’t afford him, or so he says, and then messing up a huge opportunity writing YSL’s book because he took much on and didn’t have the time. Doesn’t look good, or sound professional.
Wintour and Lagerfeld dropped him a few years back, so the reason behind writing this book was probably the death of the latter. He knew that his friendship with Lagerfeld was the reason Wintour held him so close.
This, along with his documentary, The Gospel According To André, has a feeling of still trying to stay relevant and visible. But, what does he do exactly? He seems to mostly accompany rich women when they go shopping. He loves ‘a strictly private invitation funeral mass’ and has to drop in how he’s always frow or got a select invite to something or another.
He hates it when others don’t like his chosen gifts. It’s a lot of giving and receiving special stuff. All about the alligator. It has to be the best, most expensive and this attitude feels again dated. He moans about people treating him badly yet carries on doing things for them or going to their launches and dinners. He wants to feel important. Has to.
He compares Naomi Campbell to Elizabeth Taylor. Really? #eyeroll And addresses Edward Enninful as a Sir, which he’s not. He has an OBE, and, for a man who think he knows everything, this feels like a stupid thing not to know. I'm surprised the publisher didn't pick this up.
Sycophantic, he’s like one of those people who hears something new then acts like they invented it. It’s all Goyard luggage and blacked out cars. He’s sucked in by breeding and heritage and he's spoilt by a free and expensed lifestyle. Those days are over.
The book is quite repetitive; Met Gala, Anna Wintour Costume Center, Diana Vreeland, Lagerfeld, Chanel, Chanel, Chanel…
There’s a best dressed list at the end of the book and even a ‘picture section’.
Takeaway - He’s a self-professed ’elegant walker’ and, while bitter about his detachment from Wintour, Talley has kept all the receipts, literally, and they are all here to read. Burn.
Tie-dye is a trend that's always bubbling under, quite literally. At every price point, there's a bleed of colour for every fashion wanker. It's guaranteed to make you smile, and we could do with anything that does that right now. Darker tie-dye is more evening and formal, while full blown rainbow is more holiday and festival. Why don't you buy a kit online and have a go on some old white T-shirts? It's the perfect lockdown fashion activity.
For those who aren't sure - just yet! - go for a pair of tie-dye sports socks and rock with a pair of summer shorts and trainers.
See MORE - Tie Dye - Special TheChicGeek Meets Stain Shade - Read more HERE
BUY TheChicGeek's new book - FASHIONWANKERS - HERE
Left - Levi's - Tie Dye Trucker Jacket - £88 from Topman
Left - By Walid - Marek Tie-Dye Raw Silk Trousers - £560, Ally Tie Dye-Effect Silk Shirt - £555 from Matchesfashion.com
Left - FabLab FL004 Toy £9.99 from Amazon
Left - Crocs - £27.99
Left - Maison Scotch - £104.95
Below - iets frans - Yellow Tie-Dye Sweatshirt - £46 Urban Outfitters
London, Tolworth, Gypsy Hill; not exactly a roll call of the world’s fashion capitals, but a glimpse into a brand’s proud roots. ‘Stain Shade’ is leading the charge of tie-dye returning to our wardrobes. Also know as, James Brackenbury, 31, Stain Shade was mobbed at the recent CIFF AW20 fashion trade show in Copenhagen with people who couldn’t get enough of his hand tie-dyed T-shirts and hoodies. I thought I’d find out more from the UK's new king of tie-dye. Will the real Stain Shade please stand up?:
:eft - James from Stain Shade at CIFF, Copenhagen, 2020
CG: Where are you based? From originally?
SS: I live with my wife in Gipsy Hill, but I grew up in Surbiton/Tolworth in South West London. This is where my mum still lives and her house is the base of the Stain Shade operations.
CG: What is your background?
SS:I studied contemporary art in Leeds then moved to London and worked for Vivienne Westwood on the wholesale side of things. I continued to work in the fashion wholesale world after that, and continue to do so, along side running Stain Shade.
CG: Are you doing this full time?
SS: Yes, amongst other things, some consultancy etc.
CG: Tell me more about Stain Shade. Where is the name from? When did it all start?
SS: I was always interested in hand dyeing, tie dyeing and was always on the lookout for good vintage tie dye stuff. One day I ordered a kid’s tie dye kit off amazon and did a few bits, some tees and a pair of jeans if I remember correctly. I posted a picture of the tee on my personal Instagram and a few people were asking me where it was from.
This lead to discussions with the guys at LN-CC and the subsequent launch of Stain Shade. We did a few tees and some hoodies for them. I didn't have a name for it and basically tried to think of synonyms for 'dye' or 'dyeing' and Stain Shade was the result. I drew the logo and then got some woven neck labels ordered, set up an Instagram etc and we were good to go.
Left - James' mum's house in Tolwroth is the production centre
CG: Where does Tolworth come into all this?
SS: Like I mentioned before, this where everything gets dyed, in my mum’s back garden in Tolworth. It's where I grew up, and, fortunately, my mum has a space there which I can use, she's involved as well and helps me on all the dyeing side of things.
CG: Where are the base clothing items from?
SS: It varies, depends on what the store/brand/client wants really. I can do organic ethically sourced blanks or can do more price sensitive mass produced options.
CG: Where can you buy it? What type of pieces do you produce?
SS: We have worked with retailers like Selfridges, Browns, LN-CC, Liberty, Bloomingdales, Lantiki etc. There are plans to work with all of these guys again some sooner than others. Some retailers do still have Stain Shade in stock but you can always contact us directly for custom items.
CG: How can you tell the difference between good and bad tie-dye?
SS: I think it's down to personal taste. One thing you do see a lot of though is printed tie dye, where the manufacturer was just printed the pattern all over the item and not dyed it. You can normally tell if this is the case if the reverse of the garment is still the original colour.
Right - Stain Shade in Selfridges
CG: Why do you think tie-dye has/is becoming such a big trend atm?
SS: I think its always bubbling in the background and I think that good tie dye/hand dyeing will always have a place in popular fashion. It just so happens that it's having a moment these past few seasons and I think there will be at least another summer where it's at the forefront.
Left - The Stain Shade production line
CG: What are your future plans?
SS: I am looking at different ways of working that don't necessarily exist in the conventional fashion wholesale environment. I am trying to do more collaborations and special project work on shorter lead times rather than the traditional order it and receive it 6 months later system. As a set up, we are designed to be very reactive and can get stuff done quickly so we can be more responsive to customer or retailer needs.
CG: What would you say to those who think tie-dye is just for hippies or ravers?
SS: I’d say if there isn't a part of you that is a bit 'hippie' or 'raver' then something is wrong.
See TheChicGeek's picks of SS20 menswear tie-dye - HERE
BUY TheChicGeek's new book - FASHIONWANKERS - HERE
How redundant is the handbag if you don’t leave the house? Same goes for shoes. This sounds like a surrealist-type manifesto of some ancient and useless items of dress or culture, yet perfectly sums up how quickly something can go from essential to unused. Fashion has always had a intertwined relationship with ‘want’ and ‘need’, they coexist; one propels the other, and, the other way around, it justifies it.
We’ve suddenly lost a lot of the need and therefore the want has waned. For many, clothing is a need only option and, apart from a new pair of joggers or PJs, all those prom outfits, wedding outfits, birthday outfits and all the other fashion treats that keeps the wheels of fashion turning have lost all momentum and become a missed sale.
The latest figures from the IMRG Capgemini Online Retail Index, which tracks the online sales performance of over 200 retailers, saw online retail sales growth was down -2.2% year-on-year in the first week of the Government’s lockdown guidance, but the clothing sector saw growth plummeting -26.7% year-on-year, and -22% week-on-week. Those result were even more stark across footwear, with growth tumbling -38.2% year-on-year, and -22.9% week-on-week.
Online sales too will grind to a halt with some large retailers closing their websites.
But, there has been an online boom, it's just that it doesn't include fashion. Adobe Analytics analysed data from trillions of visits to retail websites and from millions of product SKUs, finding that online grocery purchases are leading the eCommerce boom. Among the most popular items in people's internet shopping carts: Health products, gym equipment, toilet paper and canned foods. Online orders for fitness equipment like kettlebells, dumbbells and treadmills a saw 55% boost.
People too have begun spending money on board games, puzzles and video games. Notebooks are flying off the shelves and Mike Norris, chief exec at Computacenter - one of Europe's largest resellers said he has been signing "500, 1,000 or 2,000 laptop deals" with business customers that are equipping employees for remote working. He noted similar spikes in sales of monitors, virtual private network services and wireless LANs.
Fashion may not be fully redundant, just yet, temporarily and creatively furloughed, you could say, but with so many things cancelled in the future, even months after lockdown finishes, fingers crossed, those occasion spending needs will take even longer to turn into wants.
BUY TheChicGeek's new book - FASHIONWANKERS - HERE