Tuesday, 01 January 2019 12:58

2018 The Year of the “ReBland”

reblanding Burberry logoAt the end of a tumultuous year for traditional retail, and at the start of another, which doesn’t appear to offer much respite, there’s been a distinct trend in rebranding for both luxury and high-street brands. While you’d expect them to want to stand out, it seems as though they all want to blend into one another. This homogenisation is a case of an expensive “reblanding” exercise. Rebranding means creating a different identity for a brand, from its competitors, in the market, which, in fashion, is even more important especially when you're trying to flog luxury goods and the idea of difference and individuality. This feels like the opposite.

The recent rebland list is long: Belstaff, Celine, Calvin Klein, John Lewis, Burberry, Berluti and Balmain have all gone for simple and bolded logos without any of the details and distinct serifs. Playing it safe, what these new logos and fonts say is a lack of confidence and often change for change’s sake.

Left - The recent logo "reblands"

In August, Burberry unveiled its new logo. Replacing the Burberry Equestrian Knight logo with its bespoke Bodoni font, which had been used by the clothing company since 1901, the new logo is the work of celebrated British graphic designer, Peter Saville. It’s also worth noting he rebranded Calvin Klein with a similar font when Raf Simons took over and wanted to refresh.

reblanding Burberry logo

"The new logotype is a complete step-change, an identity that taps into the heritage of the company in a way that suggests the twenty-first-century cultural coordinates of what Burberry could be," Saville exclusively told Dezeen. Somewhat cryptic and full of marketing speak, he describes what he and Riccardo Tisci, the new Burberry Creative Director, settled on as “modern utility,” adding, “It looks like it’s been there forever, but it’s still contemporary.”

Right - Hedi's masterstroke?!

Tisci said on Instagram ‘Peter is one of our generation’s greatest design geniuses. I’m so happy to have collaborated together to reimagine the new visual language for the house.’

Burberry are in the throes of changing everything way before the new Creative Director’s impact has been proven. As his first collection hits stores to a rather muted response by the fashion press, it’ll be interesting to see how it sells, especially the items with this new logo on.

Seb Law, Fashion Copywriter & Journalist, says, “I really hate that they’ve added’ ENGLAND’ to the Burberry logo after London. As if it’s London, Texas or something.”

It “Seems like an attempt to look ‘international’ and more premium, but also it’s now becoming an established way of a new designer starting at a different house to mark the start of their chapter. Does the general consumer care about this, or is it dive behaviour? Also rebrands cause plenty of chatter in fashion circles and build publicity – see Hedi’s previous rebrand of SLP. All press is good press, apparently.” says Law.

Hedi Slimane is a designer who likes to put his mark onto a brand and in September it was announced that the French house, Celine would be, controversially, losing its accent. Law and others have been defacing the brand’s posters by returning the accent to the first e.

“For me, it’s a matter of good use of language. As a copywriter and journalist (with a degree in French), diacritics aren’t just a pretty typographic tool to be played around with at the will of a designer, they’re an integral part of the word.” says Law. “‘Celine’ and ‘Céline’ are different words, pronounced differently (‘sell-een’ and ‘say-lean’, respectively).  he says.

reblanding Burberry logo Celine Hedi Slimane

“It’s a continuation of the cult of personality over brand, in both cases. Causing a splash, in whatever way possible, seems to be the aim of the game. With Burberry, I’m disappointed that the logo doesn’t have a more uniquely British feeling, which the old one did IMO – I do love the interlocking TB print though.” says Law. “With Céline, it’s a classic case of Hedi doing whatever he wants. Brands should be aiming to exercise their unique personalities; this uniqueness is what attracts customers and maintains a brand’s personality. Homogenisation might attract sales, at least initially, and while change is obviously necessary, and often good, these two rebrand exercises feel like they’re a bit half-arsed. They’ve succeeded at building publicity, but is that what a logo redesign should do?” he says.

Left - The new logos are all very similar

On the high-street, John Lewis, in September, rebranded as John Lewis & Partners at a reported cost of £10m. Its first rebrand in 18 years and inspired by the company's 1960s "diamond pattern" motif, John Lewis managed to not only complicate its name but also lose its trademark dark green. Opting for safe black, it was yet another example of this reblanding trend.

In an age when these brands should really be trying to expressive confidence in themselves, these boring logos show a striving for safety and an anti-criticism blandness. It’s hard to be critical and negative about something so simple, yet they aren’t memorable or standing out. These aren't utility companies. Fashion’s current love of the sans-serif is definitely missing something.

Monday, 17 December 2018 13:12

ChicGeek Comment November Pain

ASOS profits down black fridayThe darling of British online retail, ASOS, today, issued a statement saying it saw “significant deterioration” in trading in the run-up to Christmas. Blaming the weather and a high level of discounting and promotional activity across the market, it said it lead it to increase its own special offers, which typically eat into profit margins. 

November 2018 is set to go down as one of the worst retail months in recent memory. Mike Ashley, the Sports Direct boss, was recently quoted as saying, “November was the worst on record, unbelievably bad”. He said “No one could have budgeted for that. Retailers just cannot take that kind of November. It will literally smash them to pieces.”

Left - ASOS' HQ - Black cats for Black Friday?

While ASOS only saw a slowing in sales growth - it now expects sales growth of 15% for the year to August 2019, down from 20% to 25% - it also shows the chill running through the entire retail sector.

A perfect storm of lower footfall, Black Friday discounts, Brexit shaking consumer confidence and a highly competitive market in general, is making things very dicey for the retail sector. Retailer, Stuart Rose, formerly of Marks & Spencer, told ITV News, “I sense this is a very slow Christmas … You have the uncertainty of Brexit, people are uncertain about what the future is going to look like next year. [Consumers] have their hands in their pockets. Car sales? Down. House sales? Down. Big ticket sales? Down. I suspect there will be some uncomfortable trading statements in the early part of January.”

Even the juggernaut of Primark is reporting a slowdown. It has warned of “challenging” trading conditions. John Bason, the finance director of Primark’s parent Associated British Foods (ABF), said “I think it is a call on quite mild weather during November and I think it’s affected footfall.” This is important to Primark because it doesn’t sell online. Bason told Reuters that while sales at stores open more than one year were “just positive” in September and October, they had turned negative in November. 

On a brighter note, overall consumer spending rose 3.3% year on year in November, but it was the lowest growth since March, despite the boost from Black Friday, according to Barclaycard. Clothing spending contracted by 2.9%, the biggest fall since October 2017, while spending on household appliances was down by 14%.

One thing interesting to note is ASOS mentioning its slowdown in Europe. It said trading conditions across Germany and France, which account for 60% of the retailer’s EU sales, have become significantly more challenging, which means this is a wider problem than Brexit. ASOS said “The current backdrop of economic uncertainty across many of our major markets together with a weakening in consumer confidence has led to the weakest growth in online clothing sales in recent years. We have recalibrated our expectations for the current year accordingly.”

Primark Birmingham profits down black friday

So, let’s look at this weather. According to the Met Office, “November began with relatively cold quiet weather, but from the 3rd to 14th it was mild with a predominance of southerly winds. It was cold with easterly winds from the 19th to 26th, with frequent rain or showers for the east and south-west. It turned very mild, wet and windy in all parts of the country from the 27th onwards. The provisional UK mean temperature was 7.3 °C.” This up and down weather isn’t particularly unusual for November and we had two decent cold spells to help shift more seasonal, colder weather stock. The weather is always an easy excuse for retailers reporting bad figures.

Right - Primark is opening its largest store in the world in Birmingham this month

Black Friday, though, is wiping out profit margins for retailers with consumers expecting huge discounts and it’s stopping people from hitting the high-street. UK retail endured the biggest drop in footfall for the month of November since 2009. It also marked the 12th consecutive month of footfall decline. Discounts were made for online; no pushing and shoving to then leave disappointed. If they’ve got it, it’s in the basket, and you probably don’t buy anything else while you’re there unlike if you’d gone to the high-street or a shopping centre.

Laura Ashley just announced it was closing a further 40 stores and, last week, Bonmarché issued a profit warning and Blue Inc fell into administration.

Many retailers will be praying for a good Christmas, but to make up these sales in the three weeks to Christmas will be tough, especially with so many factors working against them. Primark and ASOS are strong retailers and will weather this storm, but many will not. To continue the weather metaphors, this could be the hardest frost to hit the retail sector in many years and anybody small or not hardy enough will be dead before the winter is out.

Thursday, 13 December 2018 13:49

ChicGeek Comment Quality Control

Quality in luxury goods Bombinate marketplace menswearLuxury brand names were once a signifier of quality and craftsmanship. In the race to grow and hit those billion dollar turnovers many luxury fashion brands have diminished their quality to a point where you can no longer tell the difference between a real or fake product.

In the Evening Standard, this week, columnist, Charlotte Edwardes, spoke about the difference she’s noticed in the quality of designer clothes. “Yani at my local dry cleaner informs me: ‘Clothes don’t last any more.’ We are standing on either side of the counter in his shop with an almost-new shirt lying between us. It is silk, but like some reverse sow’s ear, it has developed the consistency of polyester.” she writes.

Left - Bombinate homepage

“I tell him that two beautiful Celine shirts (don’t judge: they were 70 per cent off in Bicester) were stripped of their vibrant colour and silky texture after a few runs through the ‘gold standard’ service. The trousers I am wearing in the picture accompanying this column have also lost their shape. Yani shakes his head. It’s the fault of the manufacturers and not his new - ‘organic’ - machines. In the 65 years and three generations that his family have run this business ‘we’ve noticed a sharp decline in the quality of clothes.’ What, even expensive brands? ‘Especially expensive brands.’”

Edwardes goes on to say that her contact at Net-a-Porter confirms that the quality of clothes is in decline with two famous fashion houses being the worst offenders.

Personally, I’ve even heard of a story where the cotton logo-ed T-shirts of one huge “luxury’ brand were so thin and, of such poor quality, that the department store they were in couldn’t attach security tags without making a hole in the garment.

This all confirms something I’ve long suspected and, something, I expect, you may have noticed. 

All is not lost, though, there are still some amazing producers and manufacturers out there and there’s a new trend in bringing these, often unknown, labels and makers to a wider audience.

The Bombinate marketplace, launched in 2017, and, recently relaunched, specialises in brands of quality for men and has secured an alliance of 100+ brands.

“The main stipulation for being part of the Bombinate community is that each brand aligns with Bombinate’s quality criteria and have a compelling story. Men from around the world can now easily discover a curated selection of European brands that all share the same commitment to quality and design.” says the website.

Founded by European entrepreneurs, Massimiliano Gritti and Elliott Aeschlimann, who were both students studying marketing and finance at different universities in London. “The story of Bombinate started on a bumpy road, somewhere between Russia and Mongolia. Something during these two months traversing the legendary Silk Road inspired us to take the plunge,” says Gritti. “Driving at night didn’t prevent us from having a clear vision of what we wanted to create: an online destination that would be both a home for high-quality brands and a source of inspiration for men who care about quality,” he says. “Back to London, we set sail again to discover the finest menswear and lifestyle goods Europe has to offer. We soon realised that the future of craftsmanship lies in the hands of extraordinary people, and made it our promise to promote them and deliver their craft from their workshop to your door,” says Gritti.

The word “Bombinate” means to make a humming or buzzing noise and the website offers a platform to quality producers, but how do they decide which brands make the cut? “The promise to bring the world’s finest craftsmanship brands to men who care about quality does not come without its challenges,” says Gritti. “At Bombinate we have created a scorecard to source craftsmanship brands. It is based on 5 different factors: Design, Story, Materials, Founders, Skills,” he says.

Many of the brands on the website, such as Arkitaip, Juch and Oscar Deen aren’t well known, and that’s really the point. You’re trusting Bombinate as the umbrella brand for quality and therefore it’s very important for this nascent online brand to fulfil the expectations of its customers. While you’re not paying for a designer name, you are paying for quality and the majority of people know quality when they see it and these brands need to over deliver on this front.

“The real issue at hand is discoverability and accessibility of quality pieces at a fair price today,” says Gritti.

Quality in luxury goods Italic LA based marketplace menswearBombinate has secured investment from a former Richemont Group and Cartier CEO and lastminute.com’s founder and has the potential to sweep up shoppers disillusioned with the quality of some luxury goods at the moment.

Another website offering luxury quality without the name is ‘Italic’. Italic is a marketplace that lets consumers shop unbranded luxury goods. They say by removing brands and labels from the equation, manufacturers earn significantly higher profits while passing "brand markup” savings onto customers.

The website proudly announces, “Shop luxury goods straight from the source”, and “Handbags made by the same factory as Prada and Celine”, but this only really means something if the factories and suppliers are of quality. “Based in sunny Los Angeles and fast-paced Shenzhen, Italic is a members-only marketplace where normal people (not sure what that means) can shop for luxury goods directly from the manufacturers behind the most desired brands and designers.” says the website.

Right - Italic homepage - This only works if Prada and Celine use a decent factory, which is often debatable today

Shoppers pay a $120 annual membership fee, this is free for a year for early sign-ups, and can choose from a selection of unbranded luxury goods, from bags and wallets to sheets and toothbrushes.

The company’s investors include Index Ventures, Ludlow Ventures, Comcast Ventures and Global Founders Capital among them. The company says 100,000 people have joined a waiting list to be notified when membership opens, and is initially limited to the US.

What these platforms both suggest is a growing movement back to quality. Consumers are growing dissatisfied with luxury goods which seem to grow forever more expensive. This growing niche needs curation and also control, but if they can deliver what they promise they can expect to grow rapidly. Trust is paramount here.

A 2017 Deloitte study of over 1,000 millennial consumers aged 20-30 across the US, UK, Italy and China found that “quality and uniqueness” are the most important factors that attract them to a luxury brand. Good luck finding that!

Monday, 26 November 2018 22:29

ChicGeek Comment Designs on Gen-Z

Generation z fashion collection ASOS COLLUSIONMove over Millennials, sadly, it’s not all about you anymore. Generation Z is primed to take centre stage and retailers and brands are asking this constantly ‘on’ generation exactly what they want. 

Generation Z are those born between 1995 and 2010, which means that the oldest are about 23 and are entering the workforce. Their spending power is increasing, their influence growing and they are a generation who doesn’t know life before the internet and mobile phones.

Younger focussed fashion and sports brands want to know what these young people want and what better way to do that than getting them to design the clothes themselves.

Left - ASOS's new Generation Z designed COLLUSION label

This new trend in Generation Z designers is mirroring the multifaceted desires and identities of this group of people.

Online behemoth, ASOS, recently launched its ‘COLLUSION’ brand. The entire brand is shaped and ‘focused' by Gen-Z with a line-up of 6 collaborators. The brand is exclusive to ASOS and can be found on COLLUSION.com which links through to the main ASOS site. The blurb says it “is built for a new generation united in their pursuit for inclusivity and representation. The 200-piece, animal-free collection is designed to fit seamlessly into the wardrobes of those who helped shape it”.

It goes on, “From the cut of a jacket, to the way that it is marketed, photographed, styled and sold, this collection is the result of extensive research into the values that this generation sees as non- negotiable”.

Generation z fashion collection ASOS COLLUSION

The brand speaks as a collective. Categorisation by gender is unnecessary, COLLUSION is ranged as one collection – for everyone. The brand’s website allows for navigation by product category, style or mood, rather than by men’s or women’s. The debut collection and the regular drops beyond it will be available up to a size 6XL. Price points for launch range from £5 for jersey basics to £70 for statement outerwear.

The initial six collaborators were selected by COLLUSION's cultural social team who find tastemakers and talent. The six were chosen from a wide pool of young creatives and all come from different backgrounds, areas, and professions. Students, stylists, activists, image-makers, authors and YouTubers. 

It says, “COLLUSION is a manifestation of what this first contingent of six want the future of the fashion industry to look and feel like. Working in collaboration with a team of standalone designers and creatives assembled by ASOS, each industry experts in affordable fashion, the six are consumers of, consultants to, and architects of this brand. Their brief: to realise an authentic, vibrant wardrobe which speaks directly to themselves and their Gen-Z peers”.

Chidera Eggerue, 23, blogger and author, says, “I joined Collusion because I wanted to be part of something that created the change that I want to see,”. Chidera is known to her followers as The Slumflower.

Right - Brands giving the next generation what they want by getting them to design it - ASOS COLLUSION

The collection is animal-free and has been recognised a number of times in PETA’s vegan fashion awards, first launched in 2013, celebrating the most desirable cruelty-free clothing and accessories on the market. 

So, what’s been the reaction? The brand says, “COLLUSION has been applauded both on social media and in the press for its unwavering commitment to diversity and body positivity. Publications such as Vogue, i-D, Dazed and Grazia have featured the brand and commended the daring approach for a big backed brand towards gender neutrality and its direct involvement with Gen-Z”. 

I’m not sure this generation even read these publications anymore, but, it’s commercial success will be judged with how many follow up collections there are.

This burgeoning woke generation has also come to the attention of sports brand, Champion. They’ve just launched a capsule line of T-shirts inspired by the power of words and how the negative labels used to describe young people can influence and determine their identity and behaviour. 

Partnering with the London-based charity ‘London Youth’, which represents 400 community youth projects across the city,  and called ‘Champion London Youth’, the T-shirts are each inspired by the personal stories of five young people who have faced stereotyping and have overcome this with the help of their youth clubs and organisations.

Local authority youth service budgets across London in 2017/18 are £39 million lower than in 2011/12. This represents an average cut of £1.5 million or 44% per local authority. During that period, 81 youth centres were closed and there were 800 fewer youth workers.

Generation z fashion collection champion London Youth T shirt

Gill Goodby, Head of Communications at London Youth, says “We combined with The Corner agency to produce a film to challenge the perceptions of young people and every newspaper headline having ‘youth’ and ‘violence’ in the title wasn’t representative. The T-shirts with Champion came from that film,” she says.

Subira Damali, 23, from Lewisham is one of the chosen designers of the T-shirts, and describes how she became involved, “I’m part of Lewisham Youth Theatre. They send me acting opportunities and I applied to be on the film”. 

Left - Subira Damali & her daughter

A young mum, she was interviewed for the film and wrote a few words that people used negatively to describe her. “Then somebody said, ‘This is going to be on a T-Shirt’. It’s about breaking down stereotypes and designing clothes helps confidence, leadership and is therapeutic,” she says.

Renowned designer Tim Head transformed the experiences of these young people into limited edition designs, which will be available for sale in Champion’s Soho store and at Urban Outfitters. Champion will be donating all profits to London Youth to help fund the charity’s arts, sports development, youth social action, employability and outdoor learning programmes.

If they design it, then, hopefully, they’ll buy it. Or, so the thinking goes. Asking the next generation what they want seems almost too simple in its concept. But, this generation is very individual and it wants to be seen that way.

This feels like the natural progression of personalisation and customisation and a step to the future where we’ll all be able to share a hand in designing what we want.

Today, retailers and brands are up to the size and speed of being able to tailor collections for certain generational groups or be reactive to their wants and desires. It makes business sense, but will it be this straightforward? 

This is a generation of confident young individuals who know what they want and want their clothes to reflective their disparate identities. Brands will just have to try as hard as they can to keep up. 

Fila Schott NYC collaboration settanta leather menswear AW18Move over Fendi. Fila has reimagined their classic sports pieces in Schott NYC’s signature leather. Having invented the biker jacket in 1928, Schott NYC, now, joins forces with Fila’s motor-sporting legacies, this time centred around their reign with Ducati which saw the brand support many champions, such as James Toseland and Niel Hodgson.

TheChicGeek says, "This is Fila's signature shapes, and you know I've been a fan of Fila bringing back its back catalogue for a while, but in the softest lambskin. This is pimped sportswear and the prices aren't ridiculous. I'm tempted to get the full Settanta leather tracksuit".

Fila Schott NYC collaboration settanta leather menswear AW18

Left - Irving - £550

Right - Pier - Leather Settanta Jacket - £500

 

Fila Schott NYC collaboration settanta leather menswear AW18

Left - Luigi - Leather Settanta Jog Pant - £500