Like with anything that becomes more common it doesn’t take long before you know a friend of a friend or someone closer who takes the plunge and has it done. You have lots of questions and you just want somebody you trust to give you the honest lowdown and then you can decide whether it’s something to seriously consider or dismiss and move on.
I’ve been thinking about hair transplants recently. They are becoming much more common, more affordable and are a physical solution to the "problem" of male baldness. There are so many products and supplements targeting the Achilles’ heel of men losing their hair and prey on the desperation to find a solution, but, to me, a physical solution seems the most logical and reasonable answer.
I’m not hung up on my hairloss, but, if somebody said you could have a full head of hair, of course, I would say “yes”. I’ve asked two friends who recently have had the procedure, completely anonymously, their honest thoughts and whether they would recommend it. Here’s what they had to say:
CG: How did the procedure work in practise? Was it painful? Sore?
1) “The procedure took part over the course of two days. Eight hours per day, four hours extracting the hairs from the donor area at the back of the head and four hours implanting the new hairs to the front of the head. Unfortunately, I didn't take well from the meds on the first day so I did feel a level of soreness (they can only put a certain amount of local anaesthetic in the head as it has an adverse effect if they add too much). Discomfort came from laying in the same position for eight hours.”
2) “I had a hair transplant, so the ‘roots’ of my hair were transplanted from one area – called ‘the donor area’ – to the places where hair was missing. The donor area is around the side and back of your head, and the missing areas for me were quite common in many men, the crown and the top of my hairline at the left and right.
They shave the donor area down, they extract the hairs one by one and place them on a petri dish. Incisions are made in the areas that will be receiving the hairs. Obviously you’re under anaesthetic – that is, arguably, the most painful part – so you can’t feel anything, but you can most certainly hear it. It sounds like a knife cutting a raw carrot. So it’s not that it’s painful, really, it’s just that you have a rush of adrenaline because you’re expecting it to be painful. Obviously it can be quite bloody, so it’s not for the faint-hearted…
Don’t forget that each hair was transplanted individually in my case – I felt this would look better than transplanting sections of hair (grafting rather than transplant).”
CG: Was it how you expected? Did you get the results you wanted?
1) “When you have a surgery like this, you don't believe that you can get amazing results as it seems too good to be true. But, a year on I am thrilled with my results and have certainly grown in confidence.”
2) “I think it was exactly how I expected it to be, perhaps a little quicker. I was expecting it to take about eight hours and I was probably done in six, including lunch. The thing with this procedure is it takes up to eight months to really show properly, so you get a bit impatient waiting to see results. It’s also good to go into it knowing that you may need a second and third transplant for it to really take, or to get the kind of density you want.
“But now, almost nine months on, I actually have hair growing in what were previously bald spots. And not just fuzzy little hairs, we’re talking long actual comb-aside hairs. It makes me laugh because obviously you’re not sat there watching it, and suddenly one day you go ‘hang on, I don’t actually have bald spots any more’.
“I think the most telling thing is that I always, always used to wear a hat. It was kind of my ‘thing’. But I don’t anymore. I didn’t make a conscious decision, I just kind of stopped. And I realised that it had really affected my confidence and this transplant had changed all that.
In fact, I’m growing my hair long now. Just to see. Because I can!”
CG: What has been - if any - the biggest disappointment(s)?
1) “After the donor hair is implanted and it starts to go back, after about two months your hair sheds to the same as it looked before. You have to be really patient to see growth, which happens at a slow pace.”
2) "The only disappointment I can say, and this is nothing to do with the actual procedure and everything to do with my age, is that the new hair – i.e. the hair from the back of my head – is growing in grey and wiry! I suppose I could dye it, but I’m going to embrace being a silver fox.”
“I suppose you could add one thing about disappointments. I had hoped it might be a bit thicker, but I guess that’s down to my age and hair being thinner – and obviously being forewarned that I might need a second transplant to get the desired effect. But having said that, I have hair where previously I had none and that’s pretty amazing!”
CG: Would you say it was worth the money?
1) “I was lucky enough to be in a position where I was a case study for the clinic, so did not pay - however, the surgery was valued at 8.5K and I feel it would be worth the money if I was in a position where I had to pay for it.”
2) “It’s costly, but not something that you want to do on the cheap - you’ve got to get it done properly. So I would say, personally in my case, it was worth the money.”
CG: Would you recommend it?
1) “Absolutely, it's improved my confidence beyond belief.”
2) “I would definitely recommend it to anyone bothered by hair loss that can afford the procedure.”
CG: Is there any on-going maintenance or follow ups?
1) “You have the opportunity to start again with your hair, so it's important to use good shampoos (Aveda), wash hair daily, hair masks and hair oils to keep it in top condition.”
2) “The first week is slightly odd, as you have to sleep as though you’re sitting up in a plane – you can’t lay flat on your back. And it’s your natural instinct to do that. You have to spray the transplants all through the day, and you can’t wash it for the first few days. A minor inconvenience for what you’re ultimately going to get though. And it’s quite gratifying after a week or so to be able to knock off the tiny scabs… Too much information? Well, you are having multiple incisions made into your scalp!”
So, overall, it seems very positive. It does feel like a big commitment as the operation is lengthy and I would like to be reassured I could stick it out. The prices are still fairly high, but from these testimonies it seems to be worth it.
Daniel Todd, Buyer at MRPORTER.COM
“I am a huge fan of Prada’s knitwear for this fall with my favourite being this Shetland Wool Sweater; it's bang on trend as graphic knitwear is key for the season. Made entirely by hand in Italy, this loud and chunky piece is as much an art form as it is knitwear. An eye-catching jumper not for the faint hearted, I’ll be wearing mine with jeans or corduroy trousers.”
Left - Prada - Shetland Wool Sweater - £1375
“Wanting to purchase a plush pair of feel-good corduroy trousers immediately indicates that autumn is here, time for the shorts to be packed away! My choice is this black number from Our Legacy, made from exceptional fabrication of soft and durable cotton-corduroy, its minimal design is versatile enabling it to be worn with simple knitwear and shirting.”
Left - Our Legacy - Wide-Leg Cotton-Corduory Trousers - £225
“Slogan t-shirts and jerseys have been huge for a few seasons now and continuing into this winter. Featuring a quote from Mr Benjamin Franklin, “Lost time is never found again”, I’ll be sporting this jersey on cold winter days when needing that little extra motivation to get things done.”
Left - Takahiromiyashita Thesoloist. - Printed Cotton-Jersey T-Shirt - £270
“A padded overshirt is a genius alternative to a jacket this autumn from Balenciaga's Creative Director Mr Demna Gvasalia. Quilted and padded for insulation and volume, this piece has to be my favourite must have. Ticking the 90s sportswear trend box, I’ll be wearing mine layered over knitwear with retro sneakers.”
Left - Balenciaga - Oversized Padded Checked Cotton-Flannel Overshirt - £815
“A great coat is essential for winter, after all it’s the item of clothing that you will be seen most in the coming months. My pick of statement outerwear is this double breasted overcoat from Gucci. Crafted from pure cashmere in a timeless shade of tan, this really is one exceptional coat.”
Left - Gucci - Slim-Fit Double-Breasted Cashmere Overcoat - £2840
It was with serendipity, just as the first AW17 shows were coming through, that I walked past the The Cords & Co. stand at Pitti Uomo in January last. I won’t bore with the fashion clichés of corduroy being the cloth of kings or geography teachers, but what you do need to know is that it’s everywhere and the main trend story for AW17.
Left - The Cords & Co aiming to be “the world’s first corduroy brand”
Giving themselves the title of “the world’s first corduroy brand”, this new Swedish brand is hoping to be to corduroy what Levi’s is to denim and you wonder why nobody has tried this before. They probably have, but not within the last couple of decades in my memory.
The Cords & Co is going big, planning to open 6 flagship stores in New York, Paris, London, Los Angeles and Stockholm, - doesn’t say where the sixth one is?! - as well as a global online shop and plus wholesale partners.
Right - The Cords & Co - Cut Poppy Red - £180
“The Cords & Co is created by a passionate group of people united by a shared love of corduroy. By exploring new ways to work with corduroy in our Stockholm design Studio, highlighting its long but little known history, and working closely with a carefully curated group of collaborative partners and cultural tastemakers in each of our flagship city locations around the world, we’re excited to share our unique story of a fabric everyone has a connection to, yet no other brand has dedicated themselves entirely to it,” says Omar Varts, CEO.
It’s about time corduroy got some love. A practical yet smart material, it’s an easy option especially in the simple styles The Cords & Co. are offering. The best look is matching you jacket to your trousers to give you a 70s casual jean-suit feel.
The brand's images are a bit disappointing for a launch, keeping it too simple and I just hope they give the stores more life and branding as corduroy is ripe for personality and Scooby Doo adventures.
Below - The Cords & Co - Trousers - £125
Damien Paul, Head of Menswear, MATCHESFASHION.COM
“High concept streetwear label Cottweiler specialises in covetable sportswear pieces crafted from lightweight technical fabrics. This dark green track jacket with contrasting black and grape panels is the ultimate athleisure statement.”
Left - Cottweiler - Contrast-Panel Track Jacket - £406
“Stella McCartney’s burgeoning menswear offering has gone from strength to strength since its debut last season. For Autumn Winter 17, its knitwear that is a real highlight – this yellow sweater is loop-knitted for a tactile finish and fits to an oversized, relaxed shape – a key trend in knitwear for Autumn Winter 2017.”
Right - Stella McCartney - Crew-Neck Loop-Knit Sweater - £585
“For Autumn Winter 17, Brunello Cucinelli have capitalised on the corduroy trend led, most notably, by Prada. This tobacco-brown pair are impeccably crafted with refined sartorial detailing complete with front and back leg creases – a house-typical tailoring feature.”
Left - Brunello Cucinelli - Slim-Leg Corduroy Trousers - £530
“An unlikely trend to make a comeback is the 90’s belt bag – traditionally worn around the waist the latest iterations are designed to be worn ‘cross body’ front or back. This version by Porter-Yoshida & Co combines Japanese functionality with its multiple internal zip pockets with a refined minimal style on the exterior.”
Right - Porter-Yoshida & Co - Beat Cotton-Canvas Belt Bag - £210
"MATCHESFASHION.COM have partnered with LANVIN to launch a 10 piece exclusive collection for Autumn Winter 17. My pick is this contrast tartan and check long sleeve shirt – the ‘collage’ effect of the two clashing prints is a key tailoring trend this season - making this luxe version the perfect statement piece.”
Below - Lanvin - Contrast-Sleeve Checked Brushed-Cotton Shirt - £495
In the modern Orwellian landscape it often feels like it’s a battle of the overly confident male egos. From Trump to Putin to Kim Jong-un, puffing your chest out and beating it hard has become an everyday occurrence. I thought - hoped - we’d left this in the last century, but it feels like we’re reliving the worst of the 20th century, every day.
There’s nothing wrong with being and feeling confident. It’s what gets you ahead, or so we are told. But, a delusional sense of entitlement and pride often ends with many cases of cutting your nose off to spite your face.
Last night, Zegna launched a new collection of premium fragrances. Titled #ElementsofMan, it contains 5 new fragrances named “Talent”, “Integrity”, “Passion”, “Wisdom” and "Strength".
Left - Wisdom, anybody?
While I can see the overall idea, it doesn’t feel very contemporary. Where’s “Vulnerability” & “Sensitivity”?
It feels like the Donald Trump collection of fragrances, which is ironic because Trump’s first fragrance, "Donald Trump, The Fragrance” was produced in partnership with Estée Lauder, who also produce the fragrances for Zegna. Launched in 2004, he also had others, now discontinued, called “Success” and “Empire”.
He’d probably wear all five of these, layered á la Jo Malone, yet he’ll think it was his original idea. More is more when you’re reeking of “Strength” & “Wisdom”, don't you think? No room for "Arrogance"?
It feels like an idea dreamt up between Lauder HQ in “Never Sleeps” New York and Zegna HQ in “Macho” Milan with little thought for the rest of the world. Successful men do wear Zegna’s clothes, you need a certain depth of pocket to be able to afford it, but let’s leave the 80s arrogance to Gordon Gekko.
Right - The full Zegna #Elementsofman line-up
“Talent”, for example, in isolation just seems a little strange. My British modesty and cynicism couldn’t wear a fragrance called “Integrity” without a little smirk.
Zegna is a premium menswear brand and they manufacture the most beautiful Italian clothes and fabrics worn by some of the world's most successful men. I think men today are more complex than these allow. These, at £180 for 50ml, are a premium fragrance offering, it just feels a shame that they’ve handicapped them with their names before you’ve even opened the bottle.
Last week, Harrods unveiled the expansion of its Salon de Parfums area on the top floor of the store. Seven new fragrance boutiques have been added including Penhaligon’s, Armani Privé, Burberry, Sospiro, Frédéric Malle, Bond No.9 and, brand new and world exclusive, Floraïku.
Left - The new Floraïku boutique at the extended Salon de Perfumes in Harrods
The Japanese-inspired, Floraïku, has been created by John and Clara Molloy, the couple behind ‘Memo Paris’, available at Harvey Nichols.
Directly inspired by Japan, the collection of eleven fragrances are based on Japanese poems - haiku - engraved on each bottle. Three ‘ceremonies’ make up Floraiku: Secret Teas and Spices, Enigmatic Flowers and Forbidden Incense, each
of them composed with three different perfumes.
The colour of the bottles, navy blue, white and black ensures recognition. A final ceremony is added to the previous three: Shadowing. Composed of two perfumes, with a red bottle, it allows, if they are affixed near a fragrance of one of the other three collections, to make it deeper or lighter.
Right - My favourite - Between Two Trees
Unveiled in a box inspired by a Japanese bento box, each fragrance of 50ml is presented with its travel spray, which also serves as a stopper. A refill of 10ml for the vaporiser completes this box. All perfumes and travel refills are refillable.
Left - Sit down for tea & a biscuit & sample the fragrances
TheChicGeek says, “This is a new take on fragrance and at first I thought it was Japanese. Japanese fragrances are usually very light. Because this is French, they are of a more European strength.
They are beautiful, so too is the packaging and the boutique. Looking like a tea house, you sit at the counter and are served tea and a biscuit - always a winner - while a wooden stand allows you to work through the collection. My favourite was one of the ‘shadows’ - ‘Between Two Trees’.
This is expensive, around £250, but without the usual bling you find at this level and smells very natural. I find it interesting how confident John and Clara Molloy must be to appropriate Japanese culture like this. It’s a difficult thing to get right when its not your own culture. I really like it, but I would love to know what the Japanese think”.
Below - The testers are arranged on this board to experience the different categories & 'shadows'
Left - The fragrances come in a bento style box with the travel spray stopper & cartridge
The modern way of shopping for something of quality often involves a little bit, but not too much - you can always ask TheChicGeek, of legwork to find the source. What I mean by this is, the majority of brands don’t make their own products. They use the ‘Private Label’ system of getting quality manufacturers to produce their goods. Often these manufacturers have their own in-house labels, producing products of the same quality without the designer mark up. While not cheap, you’re getting much better value for money.
One brand which fits this bill is the Spanish BIEL-LO. Carrying on a 25-year old tradition of expert craftsmanship, BIEL-LO produces fine quality knitted garments and accessories in the mountains of La Llacuna, Barcelona.
BIEL-LO constructs timeless pieces using small-scale production to provide you with their personal hallmark: each and every item has been made to delight and be cherished. The hand-finished garments are designed to ensure functionality and warmth, year after year.
Left & Right - BIEL-LO AW17
Currently stocked at Dover Street Market Tokyo and NYC, Tomorrowland, American Rag Cie, Merci, My Boon, the new AW17 collection is a collection of the must have earth colours and textured finishes like corduroy.
To be honest, these pictures don't do the clothes justice and it would be nice to see them in a UK stockist where you can see the quality for yourself. It’s also got that slightly eccentric edge and point of difference that you find around the Barcelona area.
Below - The BIEL-LO factory
TheChicGeek teams up with Thomas Sabo in this special OOTD to highlight their new mesh watch collection. Strong and stylish, this collection of watches feature stainless steel-coloured mesh bracelets and sunray finish dials with coordinated silver-coloured indices and hands.
The monotone colour palette and striped detailing inspired the rest of TheChicGeek's outfit while on his way to catch TheChicGeek Express. The clean lines and striking two-tone colourway are as timeless as black and white itself. It made TheChicGeek think if only everything in life was this clean cut?!
Left - TheChicGeek is wearing Thomas Sabo ‘Rebel Spirit’ Watch - £180
Find out more about the new Thomas Sabo collection here
Credits - Watch - Thomas Sabo, Cardigan - Pretty Green X John Smedley, T-Shirt - Sunspel, Trousers - Raf Simons X Fred Perry, Shoes - Sperry, Socks - adidas, Spectacles - Neubau, Fragrance - Azzaro Pure Chrome - Read TheChicGeek Fragrance Review here, After Shave Balm & Shaving Cream - Frederic Malle, Face Cream - Buly
The sport of rowing is dominated by the stereotypes of posh athletic giants called ‘Constantine’ or ‘Toby’. Their arrogance only surpassed by their prowess with a couple of oars and the Lycra in their rowing suits. But, off-duty they stick to tradition and continue to wear their team colours. The blazer was invented to be part of the rowing fraternity's uniform and as part of British culture, and our continual love affair with uniforms, it often takes an outsider to see and appreciate what we have and repackage and present something that has always existed.
Just when we thought ‘preppy’ was dead and wasn’t coming back for a while, we see green shoots appearing, and a new label like ‘Rowing Blazers’, reinventing and adding more fun to this seasonal British style.
Founded by Jack Carlson, a three-time member of the United States national rowing team, Rowing Blazers’ aim is to reintroduce one of the originals in men’s sportswear. The days when ‘sportswear’ still meant you wore a tie. He won a bronze medal for the U.S.A. at the 2015 World Championships and has also won the Head of the Charles Regatta, Henley Royal Regatta, and Royal Canadian Henley Regatta. Jack earned his doctorate in archaeology at the University of Oxford and is the author of the book Rowing Blazers (Thames & Hudson, 2014).
Left - Jack Carlson, founder of the American rowing blazer specialists, Rowing Blazers
Impressed the brand’s website and his passion for reintroducing this loud heritage style, I sent him a few ChicGeek questions to find out more:
CG: Why the fixation on rowing blazers?
JC: I spent a long time in the sport of rowing: nearly two decades, including three years on the US national team, so I've been immersed in this world for a while. But I've also been very interested in heraldry and in the visual and sartorial trappings of status and hierarchy for a long time as well. And I think the blazers that are traditional in the sport of rowing bring together all of those interests: menswear, heraldry, and the sport of rowing.
CG: When did you start? And what was the Eureka moment?
JC: I first competed at Henley Royal Regatta in 2004. My crew was knocked out in the first round, which was pretty disappointing. But it meant I had a great deal of time to spend in the spectator enclosures for the rest of the week, where I began chatting with other current and former rowers about their jackets and the stories and traditions behind them. I thought: someone should study these things, write a book about them. Six or seven years later, I realised I should be the guy to do it. The book came out in 2014, and the company - making blazers by hand, and incorporating a lot of details, traditions and construction techniques I came across while creating the book - launched this year.
CG: How have you found the reception to them?
JC: People from all sorts of different backgrounds love what we're doing. Menswear nerds love the research that has gone into everything we do and the quality of the construction and materials. The rowing community respect the authenticity and pedigree of what we're doing. The Japanese - we have a significant following in Asia - love the fact that our pieces are handmade in America. We've even had a positive response from many streetwear fanatics, who like the irreverent spirit, the cryptic Latin graffiti, and the graphics on our caps and badges.
Right - Rowing Blazers - Croquet Stripe Blazer - $995
CG: What would you say to those people who say that preppy is dead or is out of fashion?
JC: Preppy is dead. Long live preppy. I hate much of what that word has come to signify, and I think much of what it's come to signify is pretty dead for now. I think the consumer - at least the higher end menswear consumer - wants something with authenticity, with a story, a sense of meaning behind it. This consumer wants to know where, how, why, and from a product was made. Our pieces have tremendous depth to them; from the 3-roll-2 silhouette of our blazers, to the small embroidered faucet motif on our ties, there's a story and a reason behind every decision; and our pieces are all handmade in the US. So our collection is very different from much of what is usually considered to be "preppy" nowadays; but blue Oxford cloth button downs; flannel blazers - in navy or more outrageous colours; and webbing belts will never go out of style.
CG: Do you mostly concentrate on rowing teams and clubs or are you targeting a fashion consumer?
JC: We are a menswear brand first and foremost, but we are also proud to make blazers for a wide range of rowing teams and clubs, including Britain's most prestigious rowing club, Leander Club in Henley-on-Thames. We've also created blazers for rowing clubs in China - which is pretty cool considering we make everything in Manhattan; Oxford Brookes; the University of Texas - for whom we made blazer-cowboy jacket hybrids; and many other clubs, schools and universities.
CG: I’ve always loved the British Army blazer that I saw at Henley, would you make one of those?
JC: We might do something in camo, but we are always very careful to be respectful of existing club blazers, and would never "knock off' any institution's blazer.
CG: What’s your favourite style & why?
JC: My favourite piece in our collection is the 8x3 double breasted blazer, which is inspired by a blazer Prince Charles always wears. One never sees an 8x3 double breasted blazer on the market, so we had to make one. With five cuff buttons, an oversized front button from a vintage die, and a perfect fit, it came out brilliantly.
Left - Rowing Blazers - 8X3 Double Breasted Blazer ‘Prince Charlie’ $1095
CG: Do you ship to the UK? Isn't this a bit like taking coals to Newcastle?!
JC: We ship worldwide. Although the UK is the land of the blazer, no one is doing what we are doing: it's our commitment to quality and traditional techniques that's enabled us to become the official blazer supplier to Leander Club, Oxford Brookes University Boat Club and many other British institutions while making everything in New York. We are chatting with several British menswear retailers about going into their stores as well, and they understand that we are a high end brand with a unique product; they wouldn't be looking at us if they viewed us as a school uniform supplier!
CG: What would you say to those people who say rowing is elitist?
JC: Rowing has its roots in Oxbridge, but also the far more blue collar world of professional sculling. It developed not only through public schools and the Putney clubs, but also through many working man's clubs around England. Today many still associate the sport with Oxbridge because of the prominence of the Oxford-Cambridge race, but the truth is the sport is becoming more accessible and more universal all the time. British Rowing has done a great job bringing the sport into many new communities in the UK. I'm part of an organisation in the US, here in New York, called Row New York, which is a highly competitive rowing program for kids from the city's underserved communities. They've just qualified a boat for the national championships for the first time, which is fantastic to see.
CG: What’s the future for Rowing Blazers?
JC: We’ll be expanding into a few other categories and also expanding our retail footprint; we have a lot of pop-ups planned, including at Henley and Goodwood Revival; and we'll be going into a number of stores in Japan, Taiwan and China in the next few months. We have some cool collaborations planned with Merz b. Schwanen, a very cool and historic German knitwear manufacturer, and a few other exciting brands. We are really just getting started.
CG: You don’t just sell blazers? What else do you sell?
JC: We also make shirts in a few different styles. They are pretty unique because they are hand-distressed - here in the US! - and come with or without busted seams. They've been a hit with the more street-oriented customer actually. We also do hats, belts, ties -- many featuring satin-stitch embroidery, or hand-embroidered wire bullion motifs - and a wide range of rare, funky and quirky vintage product.
At the last Paris men’s fashion week, in January, I visited the MAN tradeshow and discovered the Swedish menswear label PRLE. Pronounced par-lay, it’s part of that new experimental and romantic trend in menswear. I thought I’d ask Andreas Danielsson, the mind behind PRLE, a few more questions:
Left & Below - PRLE AW17 - Credits: Photo: Amanda Nilsson, Styling: Alice Lönnblad
CG :What do you do at PRLE?
AD: I’ve been running the brand myself since I started it in 2013. Basically I do everything myself: sourcing materials, pattern construction, design, sales, etc.
CG: Where are you from originally?
AD: I’m born and raised in Malmö, Sweden.
CG: Tell me more about PRLE? What does the name mean?
AD: It doesn’t have a special meaning, but it has been changed a lot.
It started out as PALE, which was picked up from a song I listened to at that time.
Then I changed to PARLE, which I had tattooed just to convince myself that was it, but then I had it tweaked again and removed the "a", so now its PRLE (still pronounced PARLE though).
CG: What is the influence of the AW17 collection?
AD: This season I wanted to aesthetically communicate the brands identity of the "modern hippie”. I always find great inspiration in eccentric people or characters and for the AW17 collection I eyed towards the 1970's hippies and the character "Billy" from the movie ‘Easy Rider’.
It’s their fearlessness that inspires me, and how they challenge what is expected in order to create something new, and something that is their own.
For this collection, I wanted to portray my "modern hippie" in an updated and more sophisticated and decadent way.
CG: Do you think men are being more daring in what they wear today?
AD: I hope so! This is one of the main objectives for PRLE, to provide diversity on the menswear market, and to keep challenging the boundaries for what ”menswear” is and can be.
CG: Where is it available to buy from?
AD: AW17 will be available in June/July at International gallery BEAMS (online and in-store) and also on the PRLE webshop (www.prle.eu)
CG: Will you be in Paris again?
AD: Yes, I’ll be exhibiting at Capsule in Paris in June 24-26.