London, Tolworth, Gypsy Hill; not exactly a roll call of the world’s fashion capitals, but a glimpse into a brand’s proud roots. ‘Stain Shade’ is leading the charge of tie-dye returning to our wardrobes. Also know as, James Brackenbury, 31, Stain Shade was mobbed at the recent CIFF AW20 fashion trade show in Copenhagen with people who couldn’t get enough of his hand tie-dyed T-shirts and hoodies. I thought I’d find out more from the UK's new king of tie-dye. Will the real Stain Shade please stand up?:
:eft - James from Stain Shade at CIFF, Copenhagen, 2020
CG: Where are you based? From originally?
SS: I live with my wife in Gipsy Hill, but I grew up in Surbiton/Tolworth in South West London. This is where my mum still lives and her house is the base of the Stain Shade operations.
CG: What is your background?
SS:I studied contemporary art in Leeds then moved to London and worked for Vivienne Westwood on the wholesale side of things. I continued to work in the fashion wholesale world after that, and continue to do so, along side running Stain Shade.
CG: Are you doing this full time?
SS: Yes, amongst other things, some consultancy etc.
CG: Tell me more about Stain Shade. Where is the name from? When did it all start?
SS: I was always interested in hand dyeing, tie dyeing and was always on the lookout for good vintage tie dye stuff. One day I ordered a kid’s tie dye kit off amazon and did a few bits, some tees and a pair of jeans if I remember correctly. I posted a picture of the tee on my personal Instagram and a few people were asking me where it was from.
This lead to discussions with the guys at LN-CC and the subsequent launch of Stain Shade. We did a few tees and some hoodies for them. I didn't have a name for it and basically tried to think of synonyms for 'dye' or 'dyeing' and Stain Shade was the result. I drew the logo and then got some woven neck labels ordered, set up an Instagram etc and we were good to go.
Left - James' mum's house in Tolwroth is the production centre
CG: Where does Tolworth come into all this?
SS: Like I mentioned before, this where everything gets dyed, in my mum’s back garden in Tolworth. It's where I grew up, and, fortunately, my mum has a space there which I can use, she's involved as well and helps me on all the dyeing side of things.
CG: Where are the base clothing items from?
SS: It varies, depends on what the store/brand/client wants really. I can do organic ethically sourced blanks or can do more price sensitive mass produced options.
CG: Where can you buy it? What type of pieces do you produce?
SS: We have worked with retailers like Selfridges, Browns, LN-CC, Liberty, Bloomingdales, Lantiki etc. There are plans to work with all of these guys again some sooner than others. Some retailers do still have Stain Shade in stock but you can always contact us directly for custom items.
CG: How can you tell the difference between good and bad tie-dye?
SS: I think it's down to personal taste. One thing you do see a lot of though is printed tie dye, where the manufacturer was just printed the pattern all over the item and not dyed it. You can normally tell if this is the case if the reverse of the garment is still the original colour.
Right - Stain Shade in Selfridges
CG: Why do you think tie-dye has/is becoming such a big trend atm?
SS: I think its always bubbling in the background and I think that good tie dye/hand dyeing will always have a place in popular fashion. It just so happens that it's having a moment these past few seasons and I think there will be at least another summer where it's at the forefront.
Left - The Stain Shade production line
CG: What are your future plans?
SS: I am looking at different ways of working that don't necessarily exist in the conventional fashion wholesale environment. I am trying to do more collaborations and special project work on shorter lead times rather than the traditional order it and receive it 6 months later system. As a set up, we are designed to be very reactive and can get stuff done quickly so we can be more responsive to customer or retailer needs.
CG: What would you say to those who think tie-dye is just for hippies or ravers?
SS: I’d say if there isn't a part of you that is a bit 'hippie' or 'raver' then something is wrong.
See TheChicGeek's picks of SS20 menswear tie-dye - HERE
BUY TheChicGeek's new book - FASHIONWANKERS - HERE
First things first, what exactly is Lurex? Lurex is a type of yarn or fabric which incorporates a glittering metallic thread. It gives the knit a sort of Christmasy makeover which is on just the right side of glittery.
It’s perfect for this time of year, under artificial lights or candles, and adds an element of reflective fun to a suit or evening wear.
I remember Prada produced a collection with lots of lurex in AW 2011 , below, and showed how it could look fresh and interesting in knitwear and accessories. I ended up buying a knitted tie. Lurex on men shows an element of confidence in the wearer and somebody you instantly gravitate to at a party. Get involved!
Here is a selection of what is available this season:
Far Left - Joseph - Lurex Merinos Polo - £195
Left - Vintage - Prada AW 2011
Left - ASOS - Knitted Metallic T-Shirt - £25
Left - Gucci - Lurex Jacquard Tank Top - £440 from LN-CC
Below - Balenciaga - Men’s Slip-on Lurex - £325
Left - AMI - Men’s Round Neck Pull In Lurex - £235
Left - Topman - Lurex Top - £20