French policeman’s shoes may not get your sartorial juices flowing, but Kleman should. Where else can you get French made footwear for less than £150? Owned by the larger Cléon group, Kleman was founded in 1988 and was initially dedicated to firefighters, policemen, Air France cabin crew and military seeking comfort, robustness and quality.
Still exclusively made in their factory in Anjou in Western France, they are now targeting the more fashion lead consumer having seem them promoting their wares at the recent men's trade shows in Florence and Paris.
Their classic ‘Padror’ style was first introduced in the 1990s for SNCF employees. Crafted in France with full-grain European leather, these are based on a unisex Tyrolean style. Even the laces are woven only 10 km from the factory.
Left - Kleman - Padror - €140
Right - Kleman - Frodan - €140
Left - Kleman - Pastani - €140
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Each Ostens ‘Impression’ is a fragrance created as an ode to a single inspirational ingredient. Here is patchouli. Melting wax. The resinous dust from a violin’s bow. Crushed biscuits, cooked molasses. Old bricks, decorative tiles, worn stone floors are just some of the references said to be conjured up by this scent by Domitille Michalon-Bertier. Other notes include rosemary, lavandin, lavender absolute, immortelle absolute LMR and ciste labdanum absolute.
TheChicGeek says, “Ostens is a new fragrance company - see more here - and they’re starting with one quality ingredient and asking perfumers to create fragrances around it. Here, everything rides on a classic patchouli heart without its earthiness.
This is addictively good. I’m getting a lot of incense and wooden church pews, but without that screaming and clawing depth you get from some niche fragrances. This is a gorgeous patchouli and very easy to wear. It's one of my favourite fragrances of the year so far and it's the kind of fragrance you want to say to everybody 'smell me'."
Left - Ostens Impression Patchouli Heart IFF-LMR No. 1 - 50ml - £85
Disclosure - A sample was gifted by Ostens
Move over Millennials, sadly, it’s not all about you anymore. Generation Z is primed to take centre stage and retailers and brands are asking this constantly ‘on’ generation exactly what they want.
Generation Z are those born between 1995 and 2010, which means that the oldest are about 23 and are entering the workforce. Their spending power is increasing, their influence growing and they are a generation who doesn’t know life before the internet and mobile phones.
Younger focussed fashion and sports brands want to know what these young people want and what better way to do that than getting them to design the clothes themselves.
Left - ASOS's new Generation Z designed COLLUSION label
This new trend in Generation Z designers is mirroring the multifaceted desires and identities of this group of people.
Online behemoth, ASOS, recently launched its ‘COLLUSION’ brand. The entire brand is shaped and ‘focused' by Gen-Z with a line-up of 6 collaborators. The brand is exclusive to ASOS and can be found on COLLUSION.com which links through to the main ASOS site. The blurb says it “is built for a new generation united in their pursuit for inclusivity and representation. The 200-piece, animal-free collection is designed to fit seamlessly into the wardrobes of those who helped shape it”.
It goes on, “From the cut of a jacket, to the way that it is marketed, photographed, styled and sold, this collection is the result of extensive research into the values that this generation sees as non- negotiable”.
The brand speaks as a collective. Categorisation by gender is unnecessary, COLLUSION is ranged as one collection – for everyone. The brand’s website allows for navigation by product category, style or mood, rather than by men’s or women’s. The debut collection and the regular drops beyond it will be available up to a size 6XL. Price points for launch range from £5 for jersey basics to £70 for statement outerwear.
The initial six collaborators were selected by COLLUSION's cultural social team who find tastemakers and talent. The six were chosen from a wide pool of young creatives and all come from different backgrounds, areas, and professions. Students, stylists, activists, image-makers, authors and YouTubers.
It says, “COLLUSION is a manifestation of what this first contingent of six want the future of the fashion industry to look and feel like. Working in collaboration with a team of standalone designers and creatives assembled by ASOS, each industry experts in affordable fashion, the six are consumers of, consultants to, and architects of this brand. Their brief: to realise an authentic, vibrant wardrobe which speaks directly to themselves and their Gen-Z peers”.
Chidera Eggerue, 23, blogger and author, says, “I joined Collusion because I wanted to be part of something that created the change that I want to see,”. Chidera is known to her followers as The Slumflower.
Right - Brands giving the next generation what they want by getting them to design it - ASOS COLLUSION
The collection is animal-free and has been recognised a number of times in PETA’s vegan fashion awards, first launched in 2013, celebrating the most desirable cruelty-free clothing and accessories on the market.
So, what’s been the reaction? The brand says, “COLLUSION has been applauded both on social media and in the press for its unwavering commitment to diversity and body positivity. Publications such as Vogue, i-D, Dazed and Grazia have featured the brand and commended the daring approach for a big backed brand towards gender neutrality and its direct involvement with Gen-Z”.
I’m not sure this generation even read these publications anymore, but, it’s commercial success will be judged with how many follow up collections there are.
This burgeoning woke generation has also come to the attention of sports brand, Champion. They’ve just launched a capsule line of T-shirts inspired by the power of words and how the negative labels used to describe young people can influence and determine their identity and behaviour.
Partnering with the London-based charity ‘London Youth’, which represents 400 community youth projects across the city, and called ‘Champion London Youth’, the T-shirts are each inspired by the personal stories of five young people who have faced stereotyping and have overcome this with the help of their youth clubs and organisations.
Local authority youth service budgets across London in 2017/18 are £39 million lower than in 2011/12. This represents an average cut of £1.5 million or 44% per local authority. During that period, 81 youth centres were closed and there were 800 fewer youth workers.
Gill Goodby, Head of Communications at London Youth, says “We combined with The Corner agency to produce a film to challenge the perceptions of young people and every newspaper headline having ‘youth’ and ‘violence’ in the title wasn’t representative. The T-shirts with Champion came from that film,” she says.
Subira Damali, 23, from Lewisham is one of the chosen designers of the T-shirts, and describes how she became involved, “I’m part of Lewisham Youth Theatre. They send me acting opportunities and I applied to be on the film”.
Left - Subira Damali & her daughter
A young mum, she was interviewed for the film and wrote a few words that people used negatively to describe her. “Then somebody said, ‘This is going to be on a T-Shirt’. It’s about breaking down stereotypes and designing clothes helps confidence, leadership and is therapeutic,” she says.
Renowned designer Tim Head transformed the experiences of these young people into limited edition designs, which will be available for sale in Champion’s Soho store and at Urban Outfitters. Champion will be donating all profits to London Youth to help fund the charity’s arts, sports development, youth social action, employability and outdoor learning programmes.
If they design it, then, hopefully, they’ll buy it. Or, so the thinking goes. Asking the next generation what they want seems almost too simple in its concept. But, this generation is very individual and it wants to be seen that way.
This feels like the natural progression of personalisation and customisation and a step to the future where we’ll all be able to share a hand in designing what we want.
Today, retailers and brands are up to the size and speed of being able to tailor collections for certain generational groups or be reactive to their wants and desires. It makes business sense, but will it be this straightforward?
This is a generation of confident young individuals who know what they want and want their clothes to reflective their disparate identities. Brands will just have to try as hard as they can to keep up.
“Marigold is a fairly unusual ingredient. Its fruity and aromatic facets contrast harmoniously with the fresh and natural tones of jasmine sambac. Together they capture the vibrancy of an Indian flower market,” says Mathilde Bijaoui, Jo Malone Master Perfumer.
Left - Jo Malone Cologne Intense Jasmine Sambac & Marigold - 100ml - £115
TheChicGeek says, “The green, hypnotic fragrance of the Arabian jasmine is the star here. It’s the kind of fragrance you want to inhale as deeply as possible to make it last longer. The top is marigold, which I didn’t think had much a scent(?), and the base is benzoin, a balsamic resin from the bark of the Styrax tree.
Add in ylang, ylang, vanilla and amber and you not only have an Indian flower market, but one of those rare, warm British summer nights when the climbing jasmine is pumping out as much scent as possible into the night. While this is instinctively feminine, the lines are blurring so much in fashion, beauty and gender, that anything goes.”
Launching nationwide April 2018
Like Jo Malone? Read English Fields review - here
I’ve just got back from Copenhagen, the final stop on the men’s fashion week and trade show circuit. CIFF is the main show with a mix of high-fashion, young designers and what can only be described as clothing, at best, in the halls at the back.
Left - What's not to love? Chris Evans' son, Eli, looking adorable
Ignoring that, the front lobby section had been curated with new brands, some from America, some from Sweden, the UK, and Beams from Japan, who as well as having their own eponymous brand, supports many others.
Because CIFF is so late in the men’s calendar it starts to merge with women’s, which is only just starting: so, it’s late for one and early for the other.
One of the rails of clothes in the Beams section was a patterned dress with frills, and while, before, my instinct is a mental brake. A “this is women’s” thought springs into my head and then you about turn to find the closest rail of men’s for safety. This time it felt different. While not quite there yet myself, this dress could have been for men. It could have been unisex, it could be anything. And, that’s how I feel things are going, in fashion terms anyway.
Anything really does go. Men have got so experimental that if they want to wear a dress, they can wear a dress, and it’s just a person in a dress. Gender not defined. They’re not trying to be a woman. I don’t want to get into the minefield of gender politics, this is purely a fashion instinct, but it feels like we’re on the cusp of that change.
This reminds me of Chris Evans’ son pictured in his green lamé dress. Obviously a fan of David Walliams’ book, The Boy In The Dress, he went out dressed as only a fan would do.
What’s changed is people don't care. Well, the parents don’t. The kids never did.
This little boy looking adorable in his dress is saying nothing more than he’s making an effort and fan-boy(girl)ing - whatever - to his favourite book. It’s just a great thing that he’s reading.
This is not about him wanting to be a girl, this is him wearing what he wanted to wear on this occasion.
Okay, so some will take some convincing, but it feels like the door is open if you want to push through it. Are we brave enough?