TheChicGeek says, "If you received a Teddy Ruxpin in the 1980’s your parents had money. Alessandra Gucci, the daughter of Maurizio and Patrizia Gucci, in the new film, House of Gucci, unwraps the talking teddy bear at their ski chalet in St. Moritz just as her parents’ marriage is starting to disintegrate.
The film centres on the grandson of the Gucci founder and his rollercoaster relationship and ultimate murder under his wife’s auspices, played by Lady Gaga.
Left - The Gucci Mob
Gaga is intense and totally commited, down to the bad make-up, Jared Leto is unrecognisable as Maurizio’s cousin, Paolo Gucci. Al Pacino is like a mob boss as his uncle, Aldo, while Jeremy Irons adds some class as Rodolfo Gucci, Maurizio’s father, who early on knew the true motivation for Patrizia.
The film has a great soundtrack, though it doesn’t correspond exactly with the timeline, add in New York, disco and glamour and it brings to mind the recent Halston series with Ewan McGregor. I didn't realise Maurizio was still at Gucci when Tom Ford arrived to completely reinvent the brand.
The styling is good. Gucci’s famous snaffle loafers make a starring role, plus there’s a few Jackie bags and monogrammed prints. This will only propel the mega-brand to even greater exposure and popularity. Even the bad 1980’s jewellery. This film is a reseller’s dream.
The only jarring moments were the disco scene at the beginning - it wasn’t very 70s and looked like a made- for-movie set with strange dance floor - and Domenico de Sole’s white socks - not sure any Italian of taste would wear white sports socks with black shoes.
Paolo Gucci’s eccentric and mocked designs could surely have found at home with the Etro family?! And the budget Wintour and Leon Talley are funny.
The film is hammy, but that’s okay because every actor is committed. I thoroughly enjoyed it."
Lady Gaga as Patrizia Reggiani (Gucci)
Jared Leto as Paolo Gucci
Adam Driver as Maurizio Gucci
Salma Hayek as 'psychic' Pina Auriemma
Buy TheChicGeek's latest book FashionWankers - HERE
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A new exhibition celebrating five decades of Zandra Rhodes’ namesake label opens at the Fashion and Textile Museum. Zandra Rhodes: 50 Years of Fabulous is the largest ever exhibition dedicated to the seminal British designer and museum founder.
The main space hosts fifty looks - one from each year of Rhodes’ career; from a 1969 ankle-length kaftan, screen-printed in silk chiffon to a 2018 fan pleated jumpsuit in a dramatic shimmer satin.
Left - Everybody knows her shocking pink hair, Dame Zandra Rhodes
TheChicGeek says, “Dame Zandra is a true fashion artist. She’s everything a great British designer should be; colourful, fun, artistic, creative, generous and a true personality. The shocking fuchsia pink hair has made her a fashion icon and her image and name resonates far outside of fashion circles.
Right - One dress from each of her 50 years
Her peak was in the 1970s, but the quality of her designs and screen printing make many of her dresses timeless despite heavily referencing this decade.
It makes sense to choose one dress for each year, but it always makes things feel quite bitty and random in an exhibition setting. I think it’s better to show the best collections in groups.
The major problem I have is I’ve always thought the Fashion and Textile Museum a drab and awkward space. It’s disappointing that a museum so colourful on the outside feels dark and claustrophobic on the inside. They really need a good retail designer who knows how to dress and light a space to give it a luxe feel. Fashion exhibitions should tap into the shopping desire aesthetic and entice you in. (Bit like Dior did at the V&A recently). You only have to look at the YSL Museum in Marrakech to see a small fashion museum working really well. See more here
Left - Designs up to the present day
I know the budgets are bigger, but this space doesn’t do justice to Zandra’s talents and every other exhibition I’ve seen here.
Here prints, displayed like saris, show her pinnacle as a textile designer, but disappointingly there aren’t any images of celebrities like Princess Diana and Freddie Mercury wearing her designs. There are no fashion shoots or glossy images to make the clothes become real, glamorous and take them out into the world. There is a fashion show reel, but it is easy to walk past.
Right - Freddie giving good Rhodes
Upstairs there are a few costumes from the operas she has designed in San Diego and images from her sketchbooks, which, again, show what an artist she is, but it’s never as fun as the person.
Dame Zandra Rhodes is a legend and to have survived for 50 years, being this creative, is no mean feat. She is somebody definitely worth celebrating.”
Until 26 January 2020
Left - Zandra's textiles full displayed
Fred Daley has a ring to it! Fred Perry has teamed up with British designer, Nicholas Daley, in their first collaboration. Taking inspiration from his parents’ club nights and their role in igniting reggae sound system culture in the UK, Daley has exaggerated Perry’s signature polo shirt with his 70s styling.
Daley’s mix of Caribbean and Scottish heritage is blended here in a boxy fit shirt with thick intarsia hem and sleeve details.
Left & Below - Nicholas Daley X Fred Perry - Striped Knitted Shirt - £175
When you can't see the wood for the Dries... it's probably time to step back, remember it's only August and just chill. We still have weeks of summer left.
For summer evening wear, team a nice shirt - this has a classic 1970s Verner Panton print - with a smart pair of loose trousers and sandals with socks. Who gives a French tuck?!
Credits - #Gifted Shirt - Dries Van Noten from Harrods, Trousers - American Vintage, Sandals - Grenson, Socks - Falke, Watch - Kronaby
When I received an e-mail from the 'Jacket Maker', at the beginning of the year, offering me the opportunity of designing my own leather jacket, I jumped at the chance. I wanted something with lots of fringing. I was thinking Harry Styles meets Stevie Nicks (look just what happened at the recent Gucci Cruise show!) to wear to a festival. A few e-mails back and forth and a few months later, voila, here's my western style leather jacket in oxblood red with maximum fringing. Rock on!
I've teamed it with a vintage, dead-stock 1970s yellow blouse with beagle collars I found on eBay, my current favourite jeans from Raey at Matchesfashion.com and some practical hiking boots for all those hours flitting between the bar and the main stage. Bring on the music...
Credits - #Gifted - Fringed Leather Jacket - Jacket Maker, Jeans - Raey, Boots - Merrell, #Bought - Vintage Blouse - eBay, Vintage Neckace - eBay
For those of us who want to express our taste, get something different and also, possibly, invest, vintage is the place to be, right now. I love a rummage around a vintage store or on eBay, but finding something decent, that fits, is tough, but that’s part of the fun and makes something good all that more special. Book -
One of the easiest ways of finding something special is to look at a specialist online auction and Kerry Taylor Auctions in Bermondsey is probably the best specialist fashion seller in the UK. Admittedly, it is reflected in the prices, but they aren't crazy, especially when you compare them to today's designer prices. I always have a look at their online catalogue, not only to look at what is in the sale, but also for style ideas from the past.
Here are TheChicGeek’s picks of the sale and why:
TheChicGeek says, “While I probably wouldn’t get into this dress… it’s the 1960s & 1970s optical prints that are all the rage at the moment. Just look at Dries Van Noten’s Verner Panton inspired collection for SS19 to understand how fresh these are looking right now. I'd love this print in a shirt.” See Thom Yorke in Dries Van Noten SS19 it here
Lot 202 : A Pierre Balmain couture printed organza evening dress, 1972
A Pierre Balmain couture printed organza evening dress, 1972. labelled and numbered 154665, boldly printed with 'target' medallions.
Estimate: £300 - £500
TheChicGeek says, “Vintage Tommy Nutter is very hard to come by. These aren’t particularly exciting, but, it’s the shapes you’re buying into: huge, exaggerated lapels and flared trousers. I particularly like the multiple vents on the back.”
Book - You need to read the House of Nutter here
Lot 252 : Two Tommy Nutter gentleman's wool suits, 1975-76
Two Tommy Nutter gentleman's wool suits, 1975-76. un-labelled, of similar design, the first in sage-green, the second beige, both jackets with exaggerated lapels, inverted pleat detailing to front pockets and rear; together with an original 'Nutters' hanger and photocopy showing the original owner.
Estimate: £300 - £500
TheChicGeek says, “These are a fashion museum piece, so I’d expect them to go for much more than the estimate. The late 1960s sci-fi/retro-future styles still fascinate and these are one of the iconic eyewear styles of that era.”
See more inspiration from 2001 Space Odyssey here
Lot 267 : A pair of Courrèges cream plastic 'eskimo' sunglasses, 1964
A pair of Courrèges cream plastic 'eskimo' sunglasses, 1964. signed along one arm, the solid lenses with horizontal slits, in a Courrèges plastic glasses case.
Estimate: £200 - £300
TheChicGeek says, “While this isn’t an original Pearly King outfit, and more a stage costume, the allure is the style’s place in London’s working class street culture. While an original East London ‘Pearly’ suit would be the dream, it would be hard to find one in as good condition as this one.”
Lot 381 : A good 'Pearly King' outfit for 'The Yorkshire Coster', English, circa 1910
A good 'Pearly King' outfit for 'The Yorkshire Coster', English, circa 1910. of dark grey herringbone tweed and covered entirely with pearlised buttons, comprising jacket, waistcoat and trousers with buttons by 'Scarboro Etches'; together with an original photograph and pocket map of London. Provenance: The Castle Howard Collection, ex lot 210, Sotheby's, 7th October 2003. This suit belonged to William Wedgwood Fenwick (1886-1960) who was born in Scarborough to Methodist parents. He wanted a stage career and went to London where he trained as understudy to the performer Albert Chevalier. Eventually due to pressure from his family he returned to Scarborough where he opened a draper's shop. He used to entertain friends wearing this suit.
Estimate: £350 - £500
TheChicGeek says, “Pre-20th century items have a preciousness knowing that the majority of clothing or accessorises fell apart through wear and never made it through the decades of time. These pairs of braces are really cute and show the whimsy in menswear going way back into history. These are pure dandy and would be fun to wear, if the condition allows.”
Lot 419 : Three pairs of men's braces, mid-late 19th century
Three pairs of men's braces, mid-late 19th century. comprising: petit point pair with motifs including matadors, galleons, native figures with feathers; another pair embroidered with forget me knots, both with elasticated and leather straps; a woven blue and white Edelweiss patterned pair; and a single poor condition petit point panel.
Estimate: £250 - £400
TheChicGeek says, “This is giving me pure Gucci vibes, especially the yellow one. Saying that, Michele’s probably already ticked these off his list of references and he’s already ransacked Northern India from the first half of the 20th century for SS17!!!!”
See more about this AW18 season’s trend of Balaclavas here
Lot 464 : Two quilted hats, Ladakhi, Northern India, first half of the 20th century
Two quilted hats, Ladakhi, Northern India, first half of the 20th century. the first of golden-yellow silk damask; the second in black velvet with fauna stems stitched in gilt thread; both lined in red cotton. This style of hat is worn sitting high on the crown of the head, with the flaps curving outwards, during festivals.
Estimate: £100 - £150
I’m always fascinated with those World Cups during the 1960s and 1970s where the players sat around drinking and smoking like they were spending two weeks on the Costa Brava. Sunning themselves and taking the missus with them, this was World Cup as lad’s holiday. Today, it’s much more serious, and if all the bungs, corruption and violence hasn’t put you off, it’s still a spectacle bringing the world together.
Left - Bobby Moore with locals on the beach 1971 NPG
As well as a sporting contest it’s also a cultural and style moment, celebrated every four years. Recently, photographs of the footballer Bobby Moore were acquired by the National Portrait Gallery and have gone on display to mark this year’s World Cup and the 25th anniversary of his death. The photographs were acquired from the collection of Roberta Moore, his daughter, and show Bobby, the golden boy of British football, throughout his career both on and off the pitch.
Right - Nike Football - England Home Vapor Match Shirt In White - £90 from ASOS
Umbro has released the 'Unforgotten' collection. Back in 1966, Umbro did a deal with all 16 competing teams in the World Cup finals to wear Umbro kit. Everyone agreed, but, when the tournament started, one team didn't wear the kit: the Russians. The Unforgotten collection is inspired by what that missing kit could've looked like and the colours and iconography of the Soviet era. Part of the collection is inspired by Lev Yashin, Russia's goalkeeper in 1966 and arguably the greatest goalkeeper ever - still the only goalkeeper to ever win the Ballon d'Or. He was also famed for always wearing head-to-toe black when playing, hence the Lev pieces in the collection are predominately black.
Left - Umbro 'Unforgotten' Collection - Prices range from £35-80
Left - 'Saturday Night Fever Pitch' by Simon Doonan, read TheChicGeek's review here
Below - Bobby Moore & Family 1975 NPG
Louis Vuitton has released a FIFA World Cup official licensed product collection - they also make the travel case for the World Cup trophy. Available in 3 colour combinations - red, black and blue, and made with the Maison’s textured Epi leather, the pattern is inspired by the official ball of the 1970 FIFA World Cup. There will also be a range of 35 country name tags - 32 qualified teams of the FIFA World Cup competition + Italy, USA, and China. It is available from the Louis Vuitton boutiques in Harrods and Manchester.
Far Left - Louis Vuitton - Keepall 50 – Epi leather - £2970
Left - Wallet - Slender Epi Leather Wallet - £460
Vilebrequin’s signature turtle shares the spotlight, this time, with an especially clever cephalopod: the octopus. With eight tentacles to dribble, he represents the famous ‘Paul’ who captivated the football fans crowds with his predictions in the 2010 World Cup.
Left - Vilebrequin - Soccer Turtles - £175
The design is based around the footballs that made, well some of us, into Ronaldo or Messi in the playground. All for the price of £19.66 to celebrate the last time England did anything!
Left - OIBOY - Super Stars Made in Playgrounds White T-Shirt - £19.66
Below - New Balance + Paul Smith Signature Stripe Leather Football - £195
See what to wear while watching - TheChicGeek's OOTD World Cup Casual
Let’s take a moment to step back and see how fashionable men are looking at this moment in time. You’ve probably noticed a proliferation of thick moustaches - well away from the month of Movember - alongside lean and toned bodies all clothed in fitted, retro sportswear. It’s hard not to see his counterpart mirrored from the late 70s or early 80s. An era of disco, gay liberation and pre-AIDS.
Left - How men are looking today - lean, toned and a hair top lip - Gone is the bearded and tattooed hipster
This isn’t just gay men either. Young straight men and homosexual men are almost indecipherable in how they look, today, bouncing the trends off one another and have the confidence to do as they please, rather than worry about being labelled either way.
I was recently in a gay pub in East London. In walked three young guys all proudly sporting cropped hair and thick moustaches. I thought it was interesting how they looked like the same young men from nearly 40 years ago. I wondered why all these things: the clothes, the body shape and facial hair styles, had all collided back to this one point in time. And, then I thought, maybe it’s because we’re entering a Post-AIDS era?
Right - Two Supermen, 40 years apart - Henry Cavill & Christopher Reeve
Thanks to medication, HIV can be prevented and people who do have it can no longer pass it on. Medication such as PrEP (Pre-exposure prophylaxis) can stop HIV from taking hold. It is highly effective for preventing HIV if used as prescribed and it recently became available on the NHS.
Consciously or unconsciously, it feels like we can finally celebrate this time because we’re no longer scared of it. Previously, looking at the images from that era had a heavy melancholy knowing what was to come and how many men didn’t make it out of that decade. But, it feels like that has lifted. It’s a mental freedom that the fashion industry is clearly relishing and focusing on this hedonistic era and image of hyper-masculinity.
Popular Instagram accounts such as ‘TheAidsMemorial’ celebrates the lives of men who lost their lives and it’s interesting how contemporary these images look. Publications such as ‘Gayletter’ play with retro homoerotic imagery and books such as ‘Fire Island Pines’ , is a collection of Polaroids from 1975-1983 of men holidaying in Fire Island in Long Island, New York, and they look like a contemporary men's swimwear shoot. Recent films like ‘Tom of Finland’ focuses on the illustrator who drew the fetish/leather side of gay men and can be seen throughout the recent AW18 collection from Moschino.
Left - Photography book - Fire Island Pines by Tom Bianchi
This is obviously centred on the gay community, but gay men influence straight men, so quickly now, and vice versa.
“In the inimitable words of power PR Samantha Jones of TV show ‘Sex and the City’ (fictional, of course) "First comes the Gays, then the girls and then the industry"!says David M Watts, Editor & Publisher, Wattswhat Magazine.
"Gay men have historically been regarded as trend setters when it comes to fashion and style. However, the resurgence of male erotica imagery making its way into mainstream fashion has more to do with lazy millennial designers looking back and copying 80s and 90s imagery rather than using it as inspiration to create something new,” says Watts.
Right - Moschino AW18
Contemporary films, documentaries and TV shows such as Ready Player One, Stranger Things, The Assassination of Gianni Versace and Antonio Lopez: Sex, Fashion & Disco - Read TheChicGeek review here, keep us continually coming back to the 70s and 80s.
“I think nostalgia is a feeling which anchors us in a constantly-changing world, and that period between the late-Seventies and mid-Eighties, pre-AIDS crisis, pre-Section 28, and the birth of the Gay Liberation movement, is sometimes seen by gay men as a golden age of hedonism and queer sexual politics. Hence the continued popularity of the music and style from that period,” says Lee Clatworthy, Writer and Press and Media Officer for Sparkle - The National Transgender Charity.
"I think this style has filtered down to the mainstream because of the availability of cheap flights to cities like Berlin, which has a large queer art community, but is also a focal point for innovative electronic music and club culture at present.” says Clatworthy.
Gone is that built, steroid-fed and hairless muscular body of the 90s and in its place is a more natural yet Instagramable toned shape. It’s more youthful and suits the current fitted style of men's clothes.
Trying not to fixate on the moustache too much, but it’s definitely one of the defining factors linking the two eras, one thing to know is, it’s not the twiddly gin-drinking Victorian type, but the solid Magnum PI style. The many years of Movember would have played a part in its return, but it’s most probably a reaction to the hipster beard.
Left - GQ Style SS18
“I would say guys wearing the moustache are normally stylish and looking to stand out a bit more in a world of beards. It normally means they are confident in themselves too.” says Tom Chapman, Founder of the Lions Barber Collective.
“I think the obsession with facial hair as a whole has been with us for a few years now, but people are starting to feel confident with a furry face and beginning to experiment with different shapes. There are so many choices when it comes to the moustache which can be easily changeable and stylable.” says Chapman.
Right - Selfie from Pinterest
“The thicker, denser looks with less styling have definitely come from those 70/80 icons such as Freddy Mercury and Hulk Hogan and I would say that young men are most definitely influenced by iconic TV and films. They have a powerful way of making something feel cool or stylish.” Chapman says.
While this ‘PrEPpy’ look has already been strong, particularly amongst East London gay men, it is definitely being pushed out into the wider male aesthetic. As we move further away from the bearded hipster, this seems to be its cool replacement. It is starting to influence straight males who won’t even know where it’s come from.
Or, it could simply be just a lot of young men with moustaches. It’s only a theory!
Left - Clearly influence by Tom of Finland, GQ Style SS18 showing the lean, toned and tached male look
Read more expert ChicGeek Comments - here
The man who defined the tailored look of the 1970s, Tommy Nutter, is a little bit like Beau Brummell in so far as he always seems like an enigma, as a person, yet his name runs throughout the history of menswear and is continually name checked. Anything bold with large lapels is always a reminder of Nutter’s style. The classic Tom Ford suit is basically a rip-off of Tommy Nutter.
This biography doesn’t just look at one Nutter’s life, but two. Tommy’s brother, David, a photographer and also gay, is the main source of first-hand information and the book follows both lives, intertwining throughout. The comical jobs they both do and the situations they seem to find themselves in makes for a really fun biography.
While Tommy is the centre, it’s great to hear about both their lives at the whims of the rich and famous of that era. From Bianca Jagger to John Lennon to Elton John, they were all wearing Tommy’s clothes while being photographed by David.
Left - Tommy Nutter modelling his own design
Tommy feels like a true creative which means he lacked the business skills and ruthlessness often needed in the fashion business to get anywhere. You get a sense that while a pioneer of the suit, Tommy was also constrained by it. He was constrained to bespoke suiting, particularly, which, due to the quality and labour intensiveness, would only ever be on a small scale and his dreams of creating a bigger ‘brand’ was restricted by centring around this one garment.
Whenever he tried anything else, outside of this area, he didn’t seem to grasp it or be able to make it work. The strong shoulder, huge lapels and contrasting fabrics became not only his signature, but his style straight jacket.
This book is great, you’ll speed through it. The best bits feature Elton John. I knew Tommy had created Elton’s 1980’s straw-boater, 'I’m Still Standing' era clothes, but I hadn’t realised he was there from the start. David became one of his inner circle and follows him around the world with manic energy. Everybody is in here: Beatles, Mick Jagger, Yoko Ono, Diana Ross.
Unfortunately, having died from that big disease with a little name, Tommy’s voice isn’t here and it would have been nice to hear from Cilla Black as she seemed to have a lot of love for him. But, the main voices are: Edward Sexton, his main cutter and Peter Brown, his boyfriend and the Beatles' manager, even when conflicting, but, that’s, ultimately, history and people’s differing viewpoints.
I remember sitting next to Jeremy Hackett at a dinner once, he started his company selling vintage clothes, and I asked him if he ever came across any Tommy Nutter, as you never see it anywhere. He said he once had some from Andrew Lloyd Webber, but it wasn’t particularly interesting. It feels like all the best pieces were commissioned by the rock stars and celebrities of that era and are probably still languishing in their storage warehouses somewhere.
There was an exhibition at The Fashion & Textile Museum in Bermondsey, a few year’s ago, which brought together some of Tommy’s best clothes. Cilla Black’s were there and I remember how small Ringo Star’s and Mick Jagger’s mannequins were.
This feels comprehensive and very well researched by Lance Richardson. The majority of the book takes place in some of the most exciting times and places of the 20th century: London in the 1960s and New York in the 1970s and this energy is what makes the book flow.
I’d love to hear what Elton John remembers. His shopping addiction seems to keep Tommy in pinstripe trousers for a while and his partying and 1970s wardrobe are all off the chart.
David Nutter is still alive and living in New York, and while Tommy died in 1992, this end segment of the book is very emotional, the glamour and era makes this a must-read for anybody interested in not only men’s clothes, but photography, music and the fashion business.
House of Nutter: The Rebel Tailor of Savile Row by Lance Richardson - Chatto & Windus - £25
Snaffle loafers are one of the rare fashion items that can, legitimately, be called ‘timeless’. They bob along on the waves of shoe trends and come in and out when the time suits. They’re definitely something you should never throw away.
The most famous are Gucci, obvs, but it’s actually cooler and less basic to sniff out a cheaper alternative. Read more here
Russell & Bromley has this pair called ‘Mercury’. I really like the brown, orange and beige webbing underneath the snaffle. It gives them a vintage/70s edge. Made from calf leather in Tuscany, these aren’t the cheapest, but they’ll certainly authentically Italian.
You can wear these with anything, just don’t smother the shoe with trouser. Keep your ankles visible both socked and unsocked.
Left & Below - Russell & Bromley - Mercury - £235