Just as I was writing the Oscars off as boring and a sea of black tuxedos out comes along a group of guys having fun on the red carpet. While the womenswear has gone safe and dull, there’s not much ‘fashion’ to see anymore, the menswear has seen the opportunity to express the wearer’s personality. The trick is to have fun yet also look cool and stylish; a hard task, let me tell you.
Here are my thoughts on the night’s highlights:
What a peach of a picture! A king is born. Timothée Chalamet is giving me young Sun King here in virginal white. We all know what happens in the film! It feels like a costume, yet it's cool, and the black boots keep it grounded in youth. Hammer has gone fairly safe in a standard red velvet number, but it's the contrast between the two which makes the cool factor high.
Left - Timothée Chalamet in Berluti, Armie Hammer in Giorgio Armani See the Call Me By Your Name Get The Look here
What a homage to the above by James Ivory. Wearing a shirt with the face of Hollywood’s new golden prince on. The shirt was painted by artist Andrew Mania.
Left - James Ivory in Andrew Mania
It’s difficult for any man to look anything other than elegant in a Tom Ford tuxedo jacket. It's the long jacket and turn-back cuffs that make it. A red one made it onto TheChicGeek Christmas Wish List 2017 - here
Left - Ansel Elgort in Tom Ford
Straight off the AW18 catwalk, this S&M take on a black tuxedo works because it still looks put together and polished.
Left - Adam Rippon in Moschino
These suits always say 'Prada' to me. The high shape makes it feel vintage especially with the less structured black bow tie.
Below - Tom Holland in Hermès
More ChicGeek Oscar fashion here
We seem to be fixated on the year 1983. First came Stranger Things and now, the new film by Luca Guadagnino, Call Me By Your Name.
Left - Getting rave views - Call Me By Your Name - The new film by Luca Guadagnino, who also made I am Love & A Bigger Splash
A love story between Elio and Oliver, Armie Hammer and Timothée Chalamet, respectively, it is an Italian summer romance featuring the power brands of the decade.
Right - The film's wardrobe was very casual 80s brands such as Lacoste & Polo Ralph Lauren
From Polo Ralph Lauren shirts, clothing the arrogant and preppy Oliver, to the striped Lacoste polos on the young and loving Elio.
Mix it with a bit of 80s Italian disco and copious amounts of drawstring swim shorts and you have your next warm weather wardrobe sorted. A future classic, it’s a peach of a film!
Left - B.D. Baggies - Bradfort Oxford Butt Down-Pocket - £73
Below - Ray Ban - Original Wayfarer Classic - £127
Left - Lacoste - Men’s Lacoste Regular Fit Striped Pima Cotton Polo - £79
Below - Boardies - Overlay Shortie Swim Shorts - £50
Persol - Havana - £153 from Sunglasses-shop
Converse - Fastbreak ’83 Vintage - £70
Casio - Classic Digital Watch F-91W-1XY - £13 from ASOS
adidas - Originals Football Swim Short - £29.99 from Footasylum
See More Get The Look - The Assassination of Gianni Versace - here
Get The Look - Wild, Wild Country
BUY TheChicGeek's new book - FASHIONWANKERS - HERE
You know times are tough when you have to sell your Jeff Koons dog. This is the predicament Amy Adams, the lead in Tom Ford’s latest film, Nocturnal Animals, finds herself in as her relationship falls apart.
Left - How many redheads can Tom Ford get into one film?! The lead, Amy Adams
An art dealer, this perfect redhead lives in her perfect Neutra-style house with her perfect looking husband (Armie Hammer). All very 'Tom Ford' so far.
I was never a big fan of Tom Ford’s first film, A Single Man. While it looked beautiful, I didn’t really care about the characters and, ultimately, that’s what a good storyteller will make you do. The film was more a long commercial, while Nocturnal Animals has less fashion, isn’t so design obsessed and is divided into two opposite parts: a warm, violent, poor, rural Texan story and a cold, harsh, rich and clinically urban story and leaves you wanting more.
There are three main storylines running throughout the film albeit with a slightly confusing timeline, but Amy Adams and Jake Gyllenhaal hold it all together.
Right - Michael Shannon as the police officer & Jake Gyllenhaal as the witness
For somebody with Tom Ford’s taste you’d think he’d exercise more subtly. The art is big-hitters like Koons or Damien Hirst, the Republican mum has Margaret Thatcher hair and one of the main jarring moments, a wanky art gallery assistant is wearing something that felt more Ab. Fab 'fashion' than believable and her flippant attitude really rammed home the vacuous point. None of these things really add anything. But, these are minor points. What the film majors in is suspense, in spades. It’s the suspense that draws you in and nervously keeps you there. The Texan bulk of the film is of the raw Steinbeck variety that is scary in its lawlessness, but doesn’t romanticise it. There are the big Texan vistas, but it is for more a sense of place than a cinematography award.
Aaron Taylor-Johnson plays the ringleader of a gang who bullies, rapes and murders. Michael Shannon is great as the police officer and Armie Hammer is the ice-cold husband. The soundtrack is great and the shaky film style adds to the thrill. There are a couple of Tom Ford fashion and beauty moments, but it feels like decoration, which it should, rather than the main gist of the film.
This is good. I’m not sure if it's a great film, I’d have to see it again to decide that, but, I’d definitely give it the chance.