British menswear brand, Percival, has joined forces with Korean-based illustrator Aaron Chang. Chang's ivy-style illustrations are featured across a capsule edit of Percival's classic embroidery and screen-printed styles.
TheChicGeek says, "This is cute. Percival is a British brand really killing it atm. They are offering men something different, but with taste and is extremely wearable. Only a brand with confidence starts to produce fun product like this. It's moving into the Rowing Blazers territory or maybe even Drake's and that Wes Anderson preppy look I always love. I particularly like the corduroy tote bags.
Percival is six years old and still owned by its co-founder and head designer Chris Gove. By making in London, Percival is able to drop multiple short runs of product a year, keeping its offering fresh & varied. Percival recently provided garments for David Beckham's recent Holiday and designed trousers for 'No Time to Die'."
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Britain recently lost one of its retail and design kings, Sir Terence Conran, who was famed for his love of cobalt blue. From his shirts to his socks, this knight loved his French blue workwear or 'bleu de travail’. He actually has his own blue called Pantone 072 C, aka Conran Blue.
It help you celebrate this giant of British style, Drake’s has a thick suede ‘Chore’ jacket in this striking blue primary. Made in Italy with horn buttons, it also has a touch of the Hockney’s about it, which I’m sure Terence would have appreciated even more. Wearing this will never be a chore.
Left & Below - Drake’s - Chore Jacket - £1195
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This preppy patchwork classic is seeing a resurgence this summer. The story goes that on a visit to one of his company’s shirt factories in the 1970s, Ash Wall, the vice president and great-great-great-grandson of Brooks Brothers founder Henry Sand Brooks, picked up a "training shirt:" a shirt made by factory trainees using mismatched scraps of fabric. Wall reportedly tried one on and commented: "These are some fun shirts.”
Here is the picks of the best of SS20: The French brand, De Fursac, calls it, ‘La Fun Shirt’, while the American brand, Rowing Blazers, continues to reinvent preppy with their stripey number, and our homegrown Drake’s is proudly handcrafted in Somerset, UK.
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Nobody wears ties anymore, especially cowboys, but this playful number, featuring the masculine stereotype du jour is a joy. In striking fuchsia pink silk and featuring cattle, Stetsons and lassos, it’s a playful take on a vintage design.
Wear with a sober business suit and plain shirt, and the style message is this isn’t your first time at the fashion rodeo.
Left & Below - Drake’s - Pink Rodeo Print Shappe Silk Tie - £135
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As we end the decade, it’s time to look back at the highs (& low) of its final year and acknowledge those doing great things in men’s grooming and fashion. Hype is still just as important and the mega brands just keep getting bigger, but the great thing about fashion, and the reason I love it, is good ideas can come from anywhere.
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Best Label of 2019 Bottega Veneta
Just as Gucci starts to slow, Kering has Bottega Veneta creating all the hype thanks to it’s new British designer Daniel Lee. A graduate of Central Saint Martins College of Art, he has worked at Maison Margiela, Balenciaga and Donna Karan. Prior to joining Bottega Veneta, Lee was Director of Ready-to-Wear Design at Céline and he’s created a strict yet sexy reinterpretation of the Bottega Veneta signatures such as their basket weave leather.
It cools yet strict, minimal yet interesting and its influence is now everywhere.
Left - Bottega Veneta SS20
Best New Label of 2019 Carne Bollente
Carne Bollente is an independent Paris-based brand established in 2014 by Hijiri Endo,
Théodore Famery and Agoston Palinko. They focus on the relationship between sex and positivity, to allow people to embrace their own sexuality and kinks through their clothes. By pairing straightforward streetwear staples with scenic sex illustrations, which manage to cover a wide scope of sexual taboos without verging on the problematic, Carne Bollente inject irreverence and provocation into no-frills basics.
Left - Carne Bollente - Bimbo Unchained 2 Blue Denim Jacket - €230
Best High Street of 2019 Jaded London
The High-Street became something of a dirty word this year. It’s tough out there and menswear has been hit harder than most. While some brands ditched menswear entirely, others have taken the plunge and really gone for it.
Fun and affordable, Jaded London gets on all the big trends without the price tags. The made for Insta clothes are by brother and sister team, Grant and Jade Goulden, who launched in 2013. Dior Saddle bag for £40, anyone?
Best Grooming Product 2019 GilletteLabs
This year we were introduced to the first heated razor and its good. Part of the new ‘GilletteLabs’ stable, the stainless steel warming bar has adjustable temperature levels and a wireless magnetic charging dock to make this a revolutionary shaving sensation. Much higher than the usual Gillette price tag, it will be interesting to see how popular this has been.
Left - GilletteLabs - Heated Razor - £199
Best Grooming Brand 2019 Baxter of California
It’s getting increasing difficult to stand out in the crowded men’s grooming market and with everybody jumping on the unisex band wagon anyway, where does it leave it? Baxter of California now has the expertise of L’Oréal behind it and is a reliable mid-priced grooming brand. Based on its Californian surf heritage since 1965, it was one of the first in men’s grooming. For an everyday easy product I swear by the Oil Free Moisturiser.
Below - Baxter of California - Oil Free Moisturiser - £24
Fragrance of the Year 2019 - Ostens Impression Patchouli Heart No.1
Ostens was a new fragrance brand this year and completely won me over to patchouli.
This scent by Domitille Michalon-Bertier includes rosemary, lavandin, lavender absolute, immortelle absolute LMR, ciste labdanum absolute and is gorgeous. Easily my favourite of the year.
Left - Ostens Impression Patchouli Heart IFF-LMR No. 1 - 50ml - £85
Most Stylish Programme 2019 - Chernobyl
Possibly not the most stylish, but definitely the most memorable and impactful. Chernobyl took us on a jaw-dropping adventure in 1980s Ukraine charting the meltdown of the nuclear reactor. The wardrobe of drab Soviet suiting and military garments seemed to bookend the current trend of vintage dress down.
Best Menswear Collaboration 2019 - Moncler Genius
Moncler did the clever thing for our short attention span times and commissioned a new designer to do a new collection every few weeks and keep dropping throughout the season. Designers have included Craig Green, Simone Rocha, Pierpaolo Piccioli of Valentino, Richard Quinn, 1017 Alyx 9SM and Palm Angels, along with two of the brand’s own labels, 1952 and Grenoble.
It has kept it fresh, reliable and is producing some of the best outerwear to suit every fashion wanker’s taste.
Left - Craig Green Moncler Genius
Special ChicGeek Award 2019 - Drake’s
Charting its own preppy course, Drake’s has stealthy positioned itself as the bastion of contemporary classic British menswear. The new store on Savile Row shows they’re continued success and with Michael Hill’s tasteful eye over everything, it’s the most colourful quality menswear you’re going to find anywhere. Expanded far beyond its original silk ties and accessorises, it’s now a full men’s outfitters and the type of British label the Japanese and Koreans go crazy for.
Right - Drake's new Savile Row store
Most Stylish Man of 2019 Timothée Chalamet
A best dressed person is somebody you can’t wait to see what they put on next. Anybody who leaves you guessing and then smashing it out of the park is always the most interesting and therefore crowned best dressed.
This year I recognise Timothée Chalamet who famously said he doesn’t have a stylist. “I don’t want to work with a stylist or anything. I’ve been following designers like Raf, Haider Ackermann, Hedi Slimane—these guys are like rock stars. They’re artists.” he told Frank Ocean in a Q&A for VMan magazine in 2018.
Hi skinny frame and romantic locks have made him a youthful menswear pin-up who isn’t afraid to try something new.
Turkey of 2019 - Burberry
I just don’t get it. Riccardo Tisci has stripped all the personality out of Burberry. Rather than building on Christopher Bailey’s legacy and momentum, he seems intent on doing the opposite. Prices have gone up and the original ideas have gone down. It all just looks like it’s trying too hard and doesn’t have any identity.
It’s seems intent on ignoring the hero product of the trench and opting for gimmicks. If the Chinese stop buying, they’re going to need to change things quickly. It will be interesting to see whether sales are sustained at a label that has lost its kudos amongst the fashion crowd.
Burberry - Large Logo and Kingdom Detail Nevis Backpack - £1090
Without doubt the most famous menswear street in the world, for the uninitiated, Savile Row could be something of an anti-climax. While the name is known the world over as the home of male sartorial elegance, the reality of the street is something quite small, higgledy piggledy and with little on show to inspire or buy. It’s a mishmash of designer brands, traditional tailors and workshops, and empty shop units.
Left - Drake's new Savile Row store
A small side street behind elegant Regent Street, Savile Row has become much bigger than the place itself, and while brands desire to be able to put Savile Row in their addresses and on the sides of their bags, it can a difficult place to make money. There just isn’t that much traffic.
While nothing new, the street has seen something of a brand churn of late. Chester Barrie is closing down, Hardy Amies disappeared and the short lived Abercombie Kids store in the old Beatles’ Apple building is being pushed back into the larger Burlington Gardens store over the road while it turns itself back into offices for their European business.
I was recently invited to drinks at the Kilgour store on Savile Row and while on the way over I wanted to check out the new Drake’s store which had taken over from Alexander McQueen’s menswear store.
One of the bright spots of British menswear, Drake’s, the colourful accessories and preppy menswear business, has just moved around the corner from Clifford Street to a larger space and has built up a strong brand with locations from New York to Tokyo. Here, the new store has cosy striped window-type seats and an entire library of books. It looked like the kind of place you’d want to hang out in, or, heaven forbid, want to spend time in. It's welcoming. The product isn’t cheap, but it’s done properly.
Contrast this with the Kilgour store, which looks like a designer Swiss morgue, and these two juxtapositions perfectly illustrate the new mood in retail design. One reeks of personality and is overflowing with the owner’s touches, while the other is strict to the point of being a retail vacuum.
There was a time, a few year’s ago, when the majority of Savile Row brands were being snapped up by Chinese conglomerates. Fung Capital, the private investment vehicle of the Fung family that controls Hong Kong sourcing and apparel mega-corporation Li & Fung, bought the most including Gieves & Hawkes, Kilgour, Hardy Amies and Kent & Curwen. While they splashed the cash and moulded each for a particular type of customer at the beginning, things have become tougher and they show a tiring of interest. They placed Hardy Amies into administration in January, while selling to Trinity, another Chinese group, the Italian/French tailoring house Cerruti who cancelled their catwalk show and stopped the designer collection’s entire production.
What looked like little, individual outfits on London’s Savile Row often had hundreds of branded stores in China, invisible to outsiders, but they’ve all become quite bland and lacking personality with no clear direction with a continual revolving door of creative directors or in-house design teams. All these brands have become faceless.
Another new bright spark on Savile Row is the new ‘J.P. Hackett No.14 Savile Row’ store in the elegant townhouse Hardy Amies restored. The new Hackett store is warm and welcoming, and is saying “come in”, “make yourself at home” and “relax” with its homely yet elegant interior by designer Ben Pentreath with input from Jeremy Hackett.
Right - Inside Kilgour Savile Row
What Drake’s and Hackett both have is a figure head who is involved and makes decisions and menswear has always latched on to these men who lead.
Michael Hill, the current creative director of Drake’s, who is responsible for the brand's full wardrobe offerings, has a great eye and taste, while Jeremy Hackett has nearly 40 years of experience in the vintage menswear trade and then creating his own eponymous label. And this is what it all comes down to, people. You need a singular, strong vision to offer direction and also a domestic homeliness.
Stark, cold and soulless retail spaces are being replaced by the perennial idea of a traditional shopkeeper welcoming customers into their worlds. Admittedly, Hackett previously had a store on Savile Row which didn’t work, but this new bespoke concept is hoping to elevate the standard Hackett product and, moving the wholesale showroom from Bond Street and combining it with retail, will probably see them save money while in a stunning Georgian townhouse which will look good the world over.
Savile Row can be so much better and it’s always worth remembering what you thought on your first visit there. These two recent additions are adding some colour and Britishness to a street which had become something neither designer nor tailored.
Savile Row needs to hold onto what is good, but also be open to try new things. In 2016, Westminster Council said only new stores will only be allowed to open if they do not replace “bespoke tailoring uses”; “sell bespoke, unique, limited-edition or one-of-a-kind products”; and are “complementary to the character and function” of the zone, but that doesn’t mean 'The Row' should be stuck in a timewarp.
Left - Inside the ‘J.P. Hackett No.14 Savile Row’ store
This isn’t about just preserving Savile Row, it’s about making it more successful. It should be welcoming to all British brands and not look down on commercialisation. The skills that have survived this long will continue to survive and these two new additions show its about individuals going back to the idea of being a nation of shopkeepers rather than anonymous 'brands'.
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When the Queen unexpectedly rocked up at London Fashion Week, yesterday, it merely cemented the trend. Admittedly, she wasn’t wearing one, she needs a Barbour gilet and a horse for starters, but it’s one of her iconic looks.
Far Left - Vetements AW18, Left - HRH
The silk head scarf has now entered the realm of menswear. So, just when you were getting your head around, literally, the beret, TheChicGeek called this in 2015, now, it’s time for something new and silky.
Seen on the catwalk at Vetements - they clearly know this will be a product that will fly, I dread to think how much they'll be charging for theirs - and MSGM, a year earlier in Milan.
Look for great secondhand silks in vintage or charity shops or opt for the best at Hermès, Turnbull & Asser, Drake's or Liberty.
Left - Both MSGM AW17
Right - The Queen is partial to an Hermès scarf
Left - Vetements AW18
Left - Hermès - Centered Rhyme de Elaine Lustig Cohen - £330
Below - Drake’s - Rust Large Paisley 40oz Ancient Madder Silk Scarf - £395
Left - Gucci - Wolf-Print GG Supreme Silk-Twill Scarf - £310 from Matchesfashion.com
Below - Liberty London - Lodden 45 x 45 Silk Neckerchief - £70
Fashion doesn’t happen in isolation. Large corporations can influence fashion and push their aesthetic through with the help of wads of cash. This, sometimes, makes the companies bigger and more money and so the cycle continues. But, a shift can often beach the whale and sportswear has thrown the preppy baby out with the bath water. Apologises.
I’ve written about the troubles with preppy before, Read more here, usually focussing on Ralph Lauren as the flag bearer, quite literally, of the look and its reluctance to change or evolve to suit the current taste in comfort and dress down.
Left - Brooks Brothers' 200th Anniversary Show at Pitti Uomo 93
That was a while ago, and with people soon to get bored of looking like a charity shop reject or a retro sportsperson, it’s inevitable that it will return.
So, we move to Florence for the 93rd edition of Pitti Uomo. Brooks Brothers is one of the chosen brands to show and they are celebrating their 200th year. Which, for any retailer, let alone an American one, is something to be very proud of.
Under the painted ceiling of the Palazzo Vecchio, a deep presidential blue curtain pulled back to reveal an orchestra playing ‘Empire State Of Mind’. So far, so good. Out came the models in various guises of preppy, yet it had been styled to mute their greatest hits. Cable knits over jackets and suit jackets tucked into trousers, it looked like a collection embarrassed to brushed with the preppy magic.
Brooks Brothers can lay claim to dressing presidents and charting the evolution of American style over the last 200 years. This should have been preppy so good that you’d bounce out of the show and be googling ‘John F Kennedy Jnr’ before you hit the cobbles of Florence’s Piazza della Signoria.
Unfortunately, this wasn't the case. This should have been a celebration of America’s 20th century power and the handsome, dashing evolution of that dressed style into preppy and the history of American fashion.
Brands like Brooks Brothers and Ralph Lauren need to push in order to return to fashion favour. There’s no point in sitting back and waiting for the tide to come back in on your style. Push preppy, push suiting, push people looking like they give a shit. There was was no fight here.
Preppy isn’t fully dead, it just needs to be really good. There are new American brands like Rowing Blazers, and British brand, Drake’s, is a perfect example. They manage to make preppy feel artistic, creative and beautiful. It’s the colours, the prints and the detail that makes you want to explore the fun and exaggerated side of preppy and, shock horror, put a tie on! Maybe.
It's the time of year to be comfortable, warm and, ultimately, cute. Nothing says 'narcissistic' like decorating a Christmas tree with your own image! Even the fairy on the top has a remarkable likeness!
Credits - Corduroy Jean Suit - Lois Jeans, Fair Isle - Drake's, Socks - TK Maxx, Watch - Swatch
We haven’t had a big fabric trend in menswear for a while now. Gone are the days when colours or fabrics would become ubiquitous for that season and every store and brand would toe the same line. But, there are exceptions, and corduroy is having a good stab at bringing itself back.
Lead by Prada, corduroy, in all its brushed softness, is perfect when coming in the reds and rusts of autumn. A tactile fabric, corduroy is hardwearing and can flit between casual and smart in all its bookish charm.
I love the fact the Germans called corduroy “Manchester” which was the home of “Cottonopolis” and a major manufacturer of corduroy for many years.
Left - Prada Menswear AW17
Corduroy can add bulk so be carefully when choosing a shape or style. For something cooler and more casual look for jeans jackets with matching trousers. I really like what the Spanish brand Lois are doing.
Below - Good News - Rhubarb Tan High - £60
Left - Lois Jeans - Jumbo Cord Brown Corduroy Jacket - £95, Dallas Jumbo Brown Corduroy Trousers - £65 from Stuarts London
Below - Vetements - Darted-Knee Cotton-Corduroy Trousers - £1200 from matchesfashion.com
Left - Drake’s - Single-Breasted Green Cotton Cord Jacket - £595, Green Cotton Cord Suit Trousers - £255
Below - Junya Watanabe - Cotton-Corduroy Baseball Cap - £130 from matchesfashion.com
Left- Prada - Slim-Fit Leather-Trimmed Cotton-Corduroy Suit Jacket - £1805 from MRPORTER.COM
Left - Jigsaw - Garment Dye Corduroy Button Down Shirt - £79
Below - ASOS - Tapered Cord Trousers In Rust - £30
Left - Marks & Spencer - Straight Fit Corduroy Trousers With Stretch - £35